British Imperialism
Orwell's purpose in giving details about the elephant's slow death was to emphasize how unnecessary it was to have killed the elephant. George Orwell was an English writer.
The crowd following Orwell in his story "Shooting an Elephant" is described as being large and growing as they gather to witness the potential shooting of the elephant. The crowd consists of a mix of locals and curious onlookers.
The subinspector asks Orwell to put the Indian elephant, which has gone rogue, out of its misery by shooting it.
he liked elephants...
The protagonist in "Shooting an Elephant" by George Orwell is the narrator, who is a British police officer in colonial Burma. The antagonist could be seen as the pressure and expectations from the local Burmese population, who are watching and goading the narrator to shoot the elephant.
Orwell, Shooting an elephant
George Orwell uses Latin phrases in "Shooting an Elephant" to evoke a sense of colonial authority and formality. By including Latin phrases, he underscores the oppressive nature of imperialism and the disconnect between the colonizers and the colonized. This use of language serves to highlight the power dynamics at play in the narrative.
Shooting An Elephant is a work of creative non-fiction, so while the details likely come from Orwell's imagination rather than an uncanny ability to recall details, the story is, on the whole, factual. Recreational elephant hunting was not unheard of in India during the time the story takes place.
The Burmese crowd becomes excited and anticipates the shooting of the elephant. They are eager to see how Orwell will handle the situation and are curious about the outcome.
According to Orwell in "Shooting an Elephant", the part where he got to beat up on troublemakers.
Stalin
Orwell argues that stories in the East often contain exaggerated or false elements, which he believed was a way to entertain or deceive the audience. In the context of "Shooting an Elephant," Orwell reflects on how the narrative surrounding the event he experienced as a colonial officer in Burma became distorted and embellished over time. He explores the power dynamics and complexities of truth in storytelling in a colonial context.