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They preferred tonic-dominant-tonic (I - V - I) harmony.
The tonic, the submediant and the dominant (1, 3 and 5).
in the tonic key.
A bridge is not a recognized part of Sonata-Allegro form. In the classical symphony the elements are, 1. Exposition, sometimes preceded by an introduction. A first theme in the tonic key of the symphony is followed by a second theme in the dominant key. The exposition is usually repeated. 2. Development, one or both themes are varied and expanded through several keys. 3. Recapitulation, the exposition is repeated, but both themes are now in the tonic key. 4. Coda, a short section which closes the movement.
The tonic, sub-dominant and dominant are the most important. They re-affirm the given key and are also called primary chords. They form the basis of the cadence and are instrumental to the quality of the melody.
1-3-5 of a major scale make up the tonic CHORD.
I think it is dominant in heterozygote form
Sonata form is different to other musical forms such as binary and ternary form, in that it comprises aspects of both. For example, its use of key relationships (e.g. tonic to dominant and back to tonic) is similar to that of binary form, whereas the fact that it is divided into three parts makes it similar to ternary form. Later, the sonata form also developed a coda, which was not present in binary or ternary form.
The dominant form of government in Europe after the Congress of Vienna was the absolute monarchy.
As in sonata form, the second theme remains in the home key during the recap, unlike the exposition, where it "modulates" to the dominant key.
The word dominant *is* an adjective. The noun form is dominance.
"to prepare" in the nosotros form (we prepare)