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http://www.edogawa-u.ac.jp/~robert/heion.jpg
Andy Warhol, Claes Oldenberg, Robert Rauschenberg.
Andrew Goldsworthy's work is influenced by the artists Constantin Brâncusi, Richard Long, Robert Smithson, Joseph Beuys, Ben Nicholson, Paul Nash and David Nash
From OAkland TRibune: The public is invited tonight to view a model of "Unity," a proposed public sculpture by North Bay artist Robert Ellison that will grace the new Mandela Gateway housing development at Seventh Street and Mandela Parkway. Is this the one you mean?
Woodrow Wilson is on the $100,000 bill. There were only 42,000 printed; they were used for transferring money within the Federal Reserve System in the days before electronic funds transfer. When they became obsolete almost all were destroyed. One of the remaining bills (possibly the only one, depending on various sources) is on display in the Smithsonian.
Oil Painting
Robert Campin's Mérode Altarpiece was an early example of Northern Renaissance art, known for its intricate details, realism, and incorporation of symbolic elements. It emphasized naturalism and domestic settings, reflecting a shift towards humanism and religious devotion in art during the 15th century.
The first oil based triptych
The use of oil paint
The use of oil paint
Personal salvation
The Merode Altarpiece by Robert Camping is an outstanding triptych of Northern Renaissance style. The figures in this triptych are based on real world observation, as opposed to science and math that were used to create paintings in the Italian Renaissance.
A focus on daily life. ( apex )
Robert Campin died in 1444.
Robert Campin died in 1444.
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The Merode Altarpiece is a triptych: a work of art in three separate sections meant to be displayed together. In this case it is three paintings in oil on wood panels, set into a hinged frame. It was painted by Robert Campin and/or members of his workshop in the early 15th century, with possible additions by a later hand. The triptych was possibly commissioned for display in a private chapel by wealthy donors, who are depicted in the left hand panel, as a display of their piety. It was also a display of their wealth that they could afford to comission such a painting. The central and right hand panels show the Annunciation and Joseph working in a shop creating mousetraps, symbols of the Incarnation as God's method of trapping the devil. The images are rich with additional symbolism. The original is in the Cloisters, part of the Metropolitan Museum of Art.