If you are asking for the value of a set of polished pennies in a fancy display purchased from a TV or magazine ad, the numismatic value is probably only a couple of dollars.
This is NOT an original 1804 silver dollar. The value is only worth what the metal is worth. If it's made out silver it will be worth more than if it just has a silver plating with some like a stainless steel core.
I looked it up at Heritage Auction Gallery and they have one that is priced at $3,025.00 so yours could be worth less than that if it's worn a little but it is a rare five dollar bill Silver certificate. I have a friend that also has one of them.Good Luck with it.
If it's of moderate value, you could start with a local coin gallery. If there isn't one nearby, use the internet (or a coin-collecting friend) to help you find the nearest reputable one.If the coin is of high value if genuine, you may choose to contact an agency such as the Professional Numismatists Guild, or the Professional Coin Grading Service. For a fee, they will verify your coin, grade it, and seal it in a clear plastic case to protect its value.
There is a book: Ada & the Doc: an Account of the Ada Leboeuf-Thomas Dreher Murder Case, by Charles M. Hargroderhttp://www.amazon.com/Ada-Doc-Account-Leboeuf-Thomas-Dreher/dp/1887366350/ref=sr_1_1?ie=UTF8&qid=1307934209&sr=8-1There is a photo gallery on facebook: https://www.facebook.com/media/set/?set=a.173887389339905.44222.100001559363064Also an interesting article: http://acadiaparishtoday.com/bookmark/10994711-Did-Ada-and-doc-meet-in-heaven-
I am sorry but i just have the answer for 1867-1875 .The Soft Bustle Fashion Silhouette 1867-1875By 1867 with the fullness bunched up to the back of the skirt creating a polonaise style, crinolines and cages suddenly disappeared evolving into tournures or bustles. The bustles supported accentuated drapes on the hips.Left - Women in the Garden by Claude Monet 1866-7. The Louvre Paris.After 1868 Worth's overskirt really caught on in England and contrasting underskirts and gown linings were all revealed as the over top skirt was divided or turned back. Other top skirts were called aprons and they were also draped making the wearer look like a piece of elaborate upholstery. Rounder waistlines were fashionable and waistlines even began to rise very slightly. On the left a tiered soft bustle ball gown of 1872. Right - Apron style tablier top layer half skirt over bustle.From 1870, ball gowns always had a train. Soon by 1873 the train was seen in day dress.By 1875 soft polonaise bustle styles were becoming so extreme that the soft fullness began to drop down the back of the garment and form itself into a tiered, draped and frilled train. Trains were very heavily ornamented with frills, pleats, ruffles, braids and fringing. The sewing machine instead of simplifying sewing, just became a tool to add more ostentation.Left - Painting 'Too Early' by James Tissot 1873 - Guildhall Art Gallery UK.The other main feature of the style change was the introduction of the cuirasse bodice which dipped front and back extending a little over the hips. By 1880 the soft bustle styles of the 1870s had totally disappeared.The Late Victorian Silhouette 1878-1901By 1878, women of the late Victorian era have a very different look about them compared to earlier Victorian women.The Princess Line and the Cuirasse BodiceThe soft polonaise style bustle styles were replaced by Princess sheath garments without a waist seam with bodice and skirt cut in one. The Princess line sheath had a bodice line similar to the very tight fitting cuirasse bodices which had been getting longer and longer.Right - Slim fitting trained dress with cuirasse bodice 1876. By 1878 the cuirasse bodice reached the thighs.By 1878 the cuirasse bodices had reached the thighs. The cuirasse bodice was corset like and dipped even deeper both front and back extending well down the hips creating the look of a body encased in armour.By 1880 the two ideas merged and the whole of the dress was in Princess line style with shoulder to hem panels. The silhouette was slim and elongated even more by the train. No bustle was needed for the cuirasse bodice or Princess sheath dress, but a small pad would have helped any trained fabric to fall well.Left - The cuirasse bodice of 1880 reached the hem actually becoming the princess panel dress. It made an exceptionally form fitting draped sheath dress which was elongated even further by the train.Hope this helped good luck..... :P
Farkash Gallery collection was created in 1948.
A portion of the collection can be seen at the historic Tibbits Opera House, 14 S. Hanchett St., Coldwater where they adorn the walls in the theatre.
No, the National Gallery of Victoria in Melbourne, Australia isn't intended to be a model of Noah's ark. Instead, it intends to honor the story of Noah's ark by the gallery's attention to and focus on animals. Interestingly, the gallery's collection presents animal themes two by two, as in the procession of the breathing, living creatures into Noah's ark.
The Peanut Gallery Presents Bad Trip - 2009 was released on: USA: 1 June 2009
The web address of the Withers Collection Museum And Gallery is: http://www.thewitherscollection.com
The phone number of the Withers Collection Museum And Gallery is: 901-523-2344.
Gallery
The web address of the Widener University Art Collection And Gallery is: www.widener.edu/artgallery
image gallery
The address of the Withers Collection Museum And Gallery is: 333 Beale Street, Memphis, TN 38103-3135
The phone number of the Widener University Art Collection And Gallery is: 610-499-1189.
The address of the Widener University Art Collection And Gallery is: One University Place, Chester, PA 19013