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What are two cultural centers that are most likely to qualify under the 1954 Hague Cultural Property Convention?
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Why has Art changed through history?
art began as an urge for people to express themselves and to pay homage to their kings and gods. this idea resonates throughout much of art history, however art progresses with the evolution of mankind. religion plays a very significant role in art, as well as humanist philosophy. as city centers grew, the demand for art also grew. as the market grew, artists became competitors and with the push of patrons, artists have sought to outdo one another, be it for the sake of wealth or national pride.
Why was Harlem the center of the African American renaissance?
A major factor leading to the rise of the Harlem Renaissance was the migration of African-Americans to the northern cities. Between 1919 and 1926, large numbers of black Americans left their rural southern states homes to move to urban centers such as New York City, Chicago, and Washington, DC.This black urban migration combined with the experimental trends occurring throughout 1920s American society and the rise of a group of radical black intellectuals all contributed to the particular styles and unprecedented success of black artists. What began as a series of literary discussions in lower Manhattan (Greenwich Village) and upper Manhattan (Harlem) was first known as the 'New ***** Movement.' Later termed the Harlem Renaissance, this movement brought creative activity in writing, art, and music and redefined expressions of African-Americans and their heritage.
History of fashion trends?
Fashion refers to the styles and customs prevalent at a given time. In its most common usage however, "fashion" describes the popular clothing style. Many fashions are popular in many cultures at any given time. Important is the idea that the course of design and fashion will change more rapidly than the culture as a whole. Fashion designers create and produce clothing articles. The terms "fashionable" and "unfashionable" were employed to describe whether someone or something fits in with the current or even not so current, popular mode of expression. However, more so in the modern era items termed 'not so current' may indeed fit into the term 'Retro.' Retro fashion allows rule shifts, such as 'old is suddenly new,' thus fashionable. The term "fashion" is frequently used in a positive sense, as a synonym for glamour, beauty and style[citation needed]. In this sense, fashions are a sort of communal art, through which a culture examines its notions of beauty and goodness. The term "fashion" is also sometimes used in a negative sense, as a synonym for fads and trends, and materialism. There exist a number of cities recognized as global fashion centers or fashion capitals. Fashion Weeks are held in these cities where designers exhibit their new clothing collections to audiences. The main four cities are Paris, Milan, New York, and London - these four are renowned for their major influence on global fashion and are headquarters to the greatest fashion companies. Other cities, including Tokyo, Los Angeles, Berlin, Rome, Buenos Aires,Toronto, Hong Kong, São Paulo, Sydney, Moscow, New Delhi and Miami also hold fashion weeks and are better recognized every year. Areas of fashion Fashion as social phenomena is common. The rise and fall of fashion has been especially documented and examined in the following fields: * Architecture, interior design, and landscape design * Arts and crafts * Body type, clothing or costume, cosmetics, personal grooming, hairstyle, and personal adornment * Dance and music * Forms of address, slang, and other forms of speech * Economics and spending choices, as studied in behavioral finance * Entertainment, games, hobbies, sports, and other pastimes * Etiquette * Fast fashion * Management, management styles and different ways of organizing * Politics and media, especially the topics of conversation encouraged by the media * Philosophy and religion: although the doctrines of religions and philosophies change very slowly if at all, there can be rapid changes in what areas of a religion or a philosophy are seen as most important and most worth following or studying. * Social networks and the diffusion of representations and practices * Sociology and the meaning of clothing for identity-building * Technology, such as the choice of computer programming techniques * Hospitality industry, such as designer uniforms custom made for a hotel, restaurant, casino, resort or club, in order to reflect a property and brand. Of these fields, costume especially has become so linked in the public eye with the term "fashion" that the more general term "costume" has mostly been relegated to only mean fancy dress or masquerade wear, while the term "fashion" means clothing generally, and the study of it. This linguistic switch is due to the so-called fashion plates which were produced during the Industrial Revolution, showing novel ways to use new textiles. For a broad cross-cultural look at clothing and its place in society, refer to the entries for clothing, costume and fabrics. The remainder of this article deals with clothing fashions in the Western world.[1] Clothing Some historians observe the frequently changing clothing styles as a distinctively Western habit among urban populations.[dubious - discuss] Changes in costume often took place at times of economic or social change (such as in ancient Rome), but then a long period without large changes followed. In 8th century Cordoba, Spain, Ziryab (a famous musician of that time) is said to have introduced sophisticated clothing styles based on seasonal and daily timings from his native Baghdad and his own inspiration. English caricature of Tippies of 1796 The beginnings of the habit in Europe of continual and increasingly rapid change in styles can be fairly reliably dated to the middle of the 14th century, to which historians including James Laver and Fernand Braudel date the start of Western fashion in clothing.[2][3] The most dramatic manifestation was a sudden drastic shortening and tightening of the male over-garment, from calf-length to barely covering the buttocks, sometimes accompanied with stuffing on the chest to look bigger. This created the distinctive Western male outline of a tailored top worn over leggings or trousers. The pace of change accelerated considerably in the following century, and women and men's fashion, especially in the dressing and adorning of the hair, became equally complex and changing. Art historians are therefore able to use fashion in dating images with increasing confidence and precision, often within five years in the case of 15th century images. Initially changes in fashion led to a fragmentation of what had previously been very similar styles of dressing across the upper classes of Europe, and the development of distinctive national styles, which remained very different until a counter-movement in the 17th to 18th centuries imposed similar styles once again, finally those from Ancien Régime in France.[3]:317-24 Though the rich usually led fashion, the increasing affluence of early modern Europe led to the bourgeoisie and even peasants following trends at a distance sometimes uncomfortably close for the elites - a factor Braudel regards as one of the main motors of changing fashion.[3]:313-15 The fashions of the West are generally unparalleled either in antiquity or in the other great civilizations of the world. Early Western travellers, whether to Persia, Turkey, Japan or China frequently remark on the absence of changes in fashion there, and observers from these other cultures comment on the unseemly pace of Western fashion, which many felt suggested an instability and lack of order in Western culture. The Japanese Shogun's secretary boasted (not completely accurately) to a Spanish visitor in 1609 that Japanese clothing had not changed in over a thousand years.[3]:312-3:323 However in Ming China, for example, there is considerable evidence for rapidly changing fashions in Chinese clothing,[4] Albrecht Dürer's drawing contrasts a well turned out bourgeoise from Nuremberg (left) with her counterpart from Venice. The Venetian lady's high chopines make her taller . Ten 16th century portraits of German or Italian gentlemen may show ten entirely different hats, and at this period national differences were at their most pronounced, as Albrecht Dürer recorded in his actual or composite contrast of Nuremberg and Venetian fashions at the close of the 15th century (illustration, right). The "Spanish style" of the end of the century began the move back to synchronicity among upper-class Europeans, and after a struggle in the mid 17th century, French styles decisively took over leadership, a process completed in the 18th century.[3]:317-21 Though colors and patterns of textiles changed from year to year,[5] the cut of a gentleman's coat and the length of his waistcoat, or the pattern to which a lady's dress was cut changed more slowly. Men's fashions largely derived from military models, and changes in a European male silhouette are galvanized in theatres of European war, where gentleman officers had opportunities to make notes of foreign styles: an example is the "Steinkirk" cravat or necktie. The pace of change picked up in the 1780s with the increased publication of French engravings that showed the latest Paris styles; though there had been distribution of dressed dolls from France as patterns since the 16th century, and Abraham Bosse had produced engravings of fashion from the 1620s. By 1800, all Western Europeans were dressing alike (or thought they were): local variation became first a sign of provincial culture, and then a badge of the conservative peasant.[6] Although tailors and dressmakers were no doubt responsible for many innovations before, and the textile industry certainly led many trends, the history of fashion design is normally taken to date from 1858, when the English-born Charles Frederick Worth opened the first true haute couture house in Paris. Since then the professional designer has become a progressively more dominant figure, despite the origins of many fashions in street fashion. Modern Westerners have a wide choice available in the selection of their clothes. What a person chooses to wear can reflect that person's personality or likes. When people who have cultural status start to wear new or different clothes a fashion trend may start. People who like or respect them may start to wear clothes of a similar style. . Fashions may vary considerably within a society according to age, social class, generation, occupation, and geography as well as over time. If, for example, an older person dresses according to the fashion of young people, he or she may look ridiculous in the eyes of both young and older people. The terms fashionista or fashion victim refer to someone who slavishly follows the current fashions. One can regard the system of sporting various fashions as a fashion language incorporating various fashion statements using a grammar of fashion. (Compare some of the work of Roland Barthes.) Changes Fashion, by description, changes constantly. The changes are more rapidly in other aspects like the fields of human activity (language, thought, etc). For some, modern fast-paced changes in fashion embody many of the negative aspects of capitalism: it results in waste and encourages people quaconsumers to buy things unnecessarily. Other people enjoy the diversity that changing fashion can apparently provide, seeing the constant change as a way to satisfy their desire to experience "new" and "interesting" things. Note too that fashion can change to enforce uniformity, as in the case where so-called Mao suits became the national uniform of mainland China. At the same time there remains an equal or larger range designated "out of fashion". (These or similar fashions may cyclically come back "into fashion" in due course, and remain "in fashion" again for a while.) In the past, new discoveries and lesser-known parts of the world could provide an impetus to change fashions based on the exotic: Europe in the eighteenth or nineteenth centuries, for example, might favor things Turkish at one time, things Chinese at another, and things Japanese at a third. Globalization has reduced the options of exotic novelty in more recent times, and has seen the introduction of non-Western wear into the Western world. Fashion houses and their associated fashion designers, as well as high-status consumers (including celebrities), appear to have some role in determining the rates and directions of fashion change. The impact of this influence depends on many things like economic status. In an article appearing in the Econ Journal Watch economists Philip R. P. Coelho, Daniel B. Klein and James E. McClure took issue with economic research explaining fashion cycles as the product of short term monopolies and self identified social stratification. In their research Coelho, Klein and McClure demonstrated At the beginning of the 20th century, fashion magazines began to include photographs and became even more influential than in the past. In cities throughout the world these magazines were greatly sought-after and had a profound effect on public taste. Talented illustrators drew exquisite fashion plates for the publications which covered the most recent developments in fashion and beauty. Perhaps the most famous of these magazines was La Gazette du Bon Ton which was founded in 1912 by Lucien Vogel and regularly published until 1925 (with the exception of the war years). Vogue, founded in the US in 1902, has been the longest-lasting and most successful of the hundreds of fashion magazines that have come and gone. Increasing affluence after World War II and, most importantly, the advent of cheap colour printing in the 1960s led to a huge boost in its sales, and heavy coverage of fashion in mainstream women's magazines - followed by men's magazines from the 1990s. Haute couture designers followed the trend by starting the ready-to-wear and perfume lines, heavily advertised in the magazines, that now dwarf their original couture businesses. Television coverage began in the 1950s with small fashion features. In the 1960s and 1970s, fashion segments on various entertainment shows became more frequent, and by the 1980s, dedicated fashion shows like FashionTelevision started to appear. Despite television and increasing internet coverage, including fashion blogs, press coverage remains the most important form of publicity in the eyes of the industry. Fashion Editor, Brooke Kelley said, "There's a misconception in the industry that TV, magazines and blogs dictate to the consumer, what to wear. But most trends aren't released to the public before consulting the target demographic. So what you see in the media is a result of research of popular ideas among the people. Essentially, fashion is a group of people bouncing ideas off of one another, like any other form of art." [8] Media, social, political, and cultural influences have a significant effect on how fashion is viewed. In the United States in 2009, there was considerable interest and discussion in the media on the clothing choices of Michelle Obama, First Lady. The majority of articles praised her sense of fashion, irrespective of how her clothing selections fit within the larger realm of current trends in contemporary fashion. The political and cultural popularity of an individual can play a role equal or greater than artistic factors in how their sense of fashion is viewed by the media.
Who is ana cabrera grohs?
Ana Cabrera Grohs, visual artist www.abstractpaintings-anacabrera.com She was born in the city of Paraná, province of Entre Ríos, Argentina, a location that was chosen by her grandfather who emigrated from Germany. From her childhood, she enjoyed admiring the green ravines and the brown color of the Paraná river. During her adolescence she moved to Buenos Aires, where she lives nowadays.She obtained a professor degree in Philosophy, Psychology and Pedagogy and held a professional position in the social security area.After dreaming about painting during her whole life, she discovered her need to study painting art thanks to her son who required her help with his art tasks during the first year of his secondary school. She has performed theoretical and practical studies on acrylic abstract painting with Master Jérôme Tisserand at the Moulin de Perrot Institute in France. She started studying at Master Luís Debairosmoura's studio, and then continued her studies with Master Carlos Cañas at the Decorative Arts Museum. She performed her first paintings in 1994, and that was a very important moment in her life because she decided to take the chance to develop that activity which she had always loved, the art of painting. At that time she started painting with a figurative style that reflected human shape, until she was requested to perform an abstract painting, which produced a change, an inner revolution in her, and dealing with said challenge she started considering the painting work with a different vision because she was able to strip herself off the concrete object and started to express her feelings in a deeper and more liberated manner. Said moment produced a transformation in her and caused that from that point in time onwards the great majority of her artworks reflect said abstraction style. She paints what she feels and thinks, and not what she can strictly see.She attended contests in Europe and USA as exhibitor and exhibited her abstract paintings in several national painting events, exhibitions held in museums, art galleries as well as in government premises, book fairs, Communal Management Centers and at the Buenos Aires Commodity Exchange premises where one of her abstract paintings obtained the prize which consisted in taking part of the itinerant exhibition around the World, traveling across 23 countries in South America, Europe and Canada.Some of her artworks are located in museums and private collections in the United States of America and Europe. She really enjoys painting, and her intention is to fully communicate her feelings through her paintings. If other people manage to feel and connect with her artwork, she is happy. In her abstract paintings, she invites the audience to set their imagination free by giving them the opportunity to interpret by themselves the artworks' significance.She is member to the following associations: Member of Moulin de Perrot, Academy of Fine Arts- France / Ward-Nasse Gallery, New York-USA / GrilloArte Gallery, Punta del Este-Uruguay / Sociedad Argentina de Artistas Plasticos [Plastic Artists Argentine Society] Buenos Aires-Argentina / Fine Art Registry, Phoenix-USA / Museum of the Americas, Miami-USA / Asociación Internacional de Barcelona de Arte y Cultura Contemporanea [Barcelona's International Association of Contemporary Art and Culture Barcelona-Spain] / ConectArte Association, Cordoba-Spain. www.abstractpaintings-anacabrera.com
What did Keith haring do?
almost everthing influenced Keith hearing. he drew stuff.he was beaten as a child.o well.so were most of us. suck it up almost everthing influenced Keith hearing. he drew stuff.he was beaten as a child.o well.so were most of us. suck it up almost everthing influenced Keith hearing. he drew stuff.he was beaten as a child.o well.so were most of us. suck it up
What cities are known to be cultural centers today?
Timbuktu
What is the phone number of the Network Of Cultural Centers Of Color in Staten Island New York?
The phone number of the Network Of Cultural Centers Of Color is: 212-627-3269.
Where is the Network Of Cultural Centers Of Color in Staten Island New York located?
The address of the Network Of Cultural Centers Of Color is: 100 Richmond Ter, Staten Island, NY 10301
Where could one find cultural centers listed by state?
A little known service of popular travel sites is a searchable list of cultural centers. Expedia and Orbitz, for example, are both known to offer this service.
What has the author Jim Robertson written?
Jim Robertson has written: 'Jimmy's Hope' 'At the Cultural Center' -- subject(s): Adult day care centers, Arts facilities, Community centers, Continuing education centers, Older people, Port Charlotte Cultural Center, Societies and clubs
What was the most impressive cultural achievement of the Maya Why?
When they ask "What do YOU think" then they want to know YOUR opinion. You need to decide which cultural achievement you are most impressed by.Some cultural achievements of the Mayans include:large city centers with large elaborate buildingslarge road system connecting the citiescomplex social structurecomplex political structure
What is culture complex?
It this context, it seems they mean an art center. It is important in improving the quality of everyone's life, that young people be made sensitive to elements of society that are aesthetically and morally good. One way to do this is to expose them to the finest forms of creative expression, starting from a very early age. Cultural complexes, or arts centers, for children will provide these avenues for our young people.Multipurpose cultural centers of general nature will foster and coordinate activities in the state in the different cultural fields such as music, drama, dance, literature, fine arts etc. Such centers can be used to promote through the country's cultural unity.It might also mean a related set of cultural traits such as prevailing dress codes and cooking and eating utensils.
What are the convention centers in Texas called?
The convention centers in Texas are called the Kay Bailey Hutchinson Convention Center, the Dallas Convention Center, and the American Bank Convention Center.
What is there to do in Cantabria?
In Cantabria you can visit landmarks and museums, also visit amusement centers and enjoy the beautiful cultural activities. Cantabria is in Santiago, Spain.
Pictures of foreign dance?
Pictures of foreign dances depict the various cultures of different countries. These pictures can be found in cultural centers and museums.
Cultural differences between US and Germany?
There are several cultural differences that can be seen between the United States and Germany. Some of these differences include dining etiquette, driving age, payment options in shopping centers, alcohol laws, as well as the differences in religion and mortality.
What has the author Esther R Dyer written?
Esther R. Dyer has written: 'Cultural Pluralism & Children's Media (School Media Centers ; No. 1)'
