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Pygmalion act 3 and 4 in the end the guests look on Liza with
After Pygmalion's statue of Galatea comes to life, he is overwhelmed with joy and love for her. He cares for her deeply and treats her with the utmost reverence and devotion. Pygmalion is grateful for the miracle that brought his creation to life, and he cherishes Galatea as his beloved partner.
In Act 5 of Hamlet, there are several allusions to classical mythology, such as references to Hercules and his labors. There are also allusions to biblical imagery, such as the comparison of Ophelia to a saint in her burial. Additionally, there are references to historical figures, like Julius Caesar, in the discussion of the grandeur of Alexander the Great.
In Act 5 of "Pygmalion" by George Bernard Shaw, characters include Professor Henry Higgins, Eliza Doolittle, Colonel Pickering, Mrs. Higgins, and Alfred Doolittle. The act focuses on the aftermath of Eliza's transformation and her decision to leave Higgins' home for a more independent life.
Eliza's Silent Brooding. #LaPorchea Dnyghi (:
The flower girl, Eliza, cannot read the writing in Pygmalion Act 1 because she is illiterate. This is used as a way to establish her lower social class and lack of education compared to the other characters in the play.
The cast of ACT Honour Walk - 2013 includes: Wendell Charles NeSmith as Pygmalion Risteard Tormey as himself
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Pygmalion becomes consumed by his love for the statue he created and treats it like a real person, even offering it gifts and speaking to it as if it were alive. He prays to the goddess Aphrodite for the statue to come to life, and eventually, his wish is granted.
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Liza wants Higgins's lessons in Pygmalion in order to improve her speech and manners. She hopes that by learning how to speak and act like a lady, she can elevate her social status and gain better opportunities in life.
Some classical allusions in "The Duchess of Malfi" include references to Greek and Roman mythology, such as the character of the Duchess resembling a tragic figure like Medea. The play also alludes to classical literature, like when Ferdinand mentions Ovid's "Metamorphoses" in Act 5. The use of these allusions adds depth and complexity to the characters and themes in the play.