An unreliable narrator is a character whose version of events cannot be trusted
A brief remark in which a character expresses private thoughts to the audience rather than to other characters is called an aside. soliloquy monologue
This is called a protagonist. The protagonist is the central character in a story who is often seen as the hero or heroine, and with whom the audience typically sympathizes or identifies.
This is called dramatic irony, where the audience has knowledge that a character lacks. It can create tension, suspense, and engage the audience by allowing them to anticipate the consequences of the character's actions.
When a solitary character speaks to the audience expressing hidden thoughts, it is called a "soliloquy." This dramatic device allows the character to reveal their inner feelings, motivations, and conflicts, often providing insight into their psyche. Soliloquies are commonly found in plays, particularly in the works of Shakespeare, and serve to engage the audience by sharing the character's private reflections.
That is called dramatic irony, where the audience has more information than a character in a story, leading to tension or suspense in the narrative.
dramatic irony.
Aside
This narrative technique is known as "dramatic irony." It occurs when the audience possesses knowledge that a character lacks, creating tension and engagement as viewers anticipate the character's potential reactions to the impending danger. This contrast between the audience's awareness and the character's ignorance can heighten emotional impact and suspense throughout the story.
This disconnect is known as dramatic irony, where the audience has information that the characters do not, leading to tension and suspense in the story.
The author's feelings about a character or situation in a story are referred to as the author's perspective or point of view.
A long speech made by a character that other characters hear is called a monologue. It is a moment where a character expresses their thoughts, feelings, or intentions to other characters or the audience.
Breaking the fourth wall is when a character in a performance speaks directly to the audience, acknowledging their presence and involvement in the production. This technique can create a sense of intimacy and connection between the performer and the audience.