The narrator in "The Yellow Wallpaper" believes that she has fully transformed into the woman trapped behind the wallpaper, symbolizing her descent into madness and loss of identity. She feels liberated by her confinement and finally escapes by tearing down the wallpaper, losing touch with reality.
The narrator in "The Yellow Wallpaper" believes that the woman she sees trapped in the wallpaper is actually herself. This realization symbolizes her own entrapment and descent into madness, as she feels trapped and oppressed in her marriage and society.
The narrator thought she was the woman behind the wallpaper.
deteriorating
She is institutionalized because she believes she sees a woman inside the wallpaper of her room. She never realizes that she is the woman in the wall.
The central irony of "The Yellow Wallpaper" is that the narrator's husband, who believes he is helping her by confining her to the room with the wallpaper, actually contributes to her mental deterioration. The narrator's obsession with the wallpaper symbolizes her descent into madness, which is exacerbated by her husband's misguided attempts to help her.
The person that the narrator sees in the wallpaper is not a person at all. She is seeing her psychological self in the wallpaper. The wallpaper is a representation of the room that she is forced to remain in. Her husband has confined her to bed rest, and she only wants to escape. The woman behind the wallpaper is a reflection and representation of her psychological distress because of the situation, thus she becomes crazy at the end. This helps explain why she is tearing away at the wallpaper when she finally "goes completely over the edge" (she is trying to free herself psychologically). Take a look at Gilbert and Gubar's essay in Contexts for Criticism if you want to read up on it.
This excerpt indicates that the narrator's mental state has further deteriorated, as she now sees herself as trapped behind the pattern of the wallpaper and struggling to break free. Her acceptance of returning "behind the pattern" signifies a resignation to her confinement and loss of autonomy. The difficulty she expresses suggests a deep sense of hopelessness and powerlessness.
Moving Wallpaper ended in 2009.
The narrator becomes increasingly obsessed with Jennie throughout the story, to the point where his perception of her becomes distorted. By the end of the story, he views Jennie as a supernatural presence trapped within the wallpaper, representing his own mental state and inner turmoil.
The smudge is where the woman (unbeknownst to the reader) has been creeping around and around the wall, as she does in the end.
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Because he was in shoke that his wife has gone completely mad. He thought that his wife was just fine, and didn't see and problem with the recovery medoth for his wife. And the whole thing just came to him too suddenly. Spelling errors aside in the response above, that is certainly one answer. By the end of the story, the narrator has obviously lost it and has resorted to pacing the room and gnawing on the furniture. You can imagine that she's not looking her best. However, several of my students have suggested that they believe she hanged herself and there is some evidence to suggest this. She has secured herself with the rope that she has smuggled into the room. Secured herself to what? It never says. So it is entirely possible that she has either hanged herself or is in the process of doing so when he bursts in. If you look carefully at their conversation, they never really answer each other. They're both talking, but not really to each other.