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African American creativity in music and literature during the Harlem Renaissance
Houston A. Baker has written: 'I Don't Hate the South' -- subject(s): History and criticism, American literature, Biography, Race relations, Criticism and interpretation, African American families, Racism, African American authors, In literature, African American college teachers, African American College teachers 'Blues, ideology, and Afro-American literature' -- subject(s): History and criticism, African American authors, American literature, Blues (Music), African Americans in literature, Music and literature, Intellectual life, African Americans, Blues (Music) in literature 'A many-colored coat of dreams' -- subject(s): Criticism and interpretation, African Americans in literature, Afro-Americans in literature 'Turning south again' -- subject(s): African Americans, Tuskegee Institute, Race relations, Intellectual life, Civil rights, Political and social views, Modernism (Literature), Social conditions, History 'The journey back' -- subject(s): History and criticism, American literature, African American authors, African Americans in literature, Intellectual life, Afro-American authors, African Americans 'Afro-American poetics' -- subject(s): History and criticism, American literature, Harlem Renaissance, African Americans in literature, African American authors, African American aesthetics, Aesthetics, Intellectual life, Afro-Americans in literature, Afro-American authors, Afro-Americans, African Americans 'Twentieth century interpretations of Native son' -- subject(s): Afro-Americans in literature, African American men in literature, Murder in literature, Trials (Murder) in literature, Bigger Thomas (Fictitious character) 'Racial poetry and state philosophy' -- subject(s): Theory, Intellectual life, History and criticism, African Americans in literature, Blacks in literature, Literature, Blacks, American literature, Literature and state, African American authors, Black authors, African Americans 'Critical memory' -- subject(s): Social conditions, African Americans, Race relations, Intellectual life, African American men in literature, History and criticism, American literature, Social aspects of Memory, Fathers and sons, Fathers and sons in literature, African American authors, Memory, African American men, Racism in literature
Thomas Huke has written: 'Jazz und Blues im afroamerikanischen Roman von der Jahrhundertwende bis zur Gegenwart' -- subject(s): African American authors, African American musicians in literature, African Americans, American fiction, Blues (Music) in literature, History, History and criticism, Intellectual life, Jazz in literature, Jazz musicians in literature, Music, Music and literature, Musical fiction
Harlem Renaissance
Langston Hughes used the phrase "the Negro was in vogue" to express how African American culture, particularly in art and music, became popular and fashionable in the 1920s in the United States during the Harlem Renaissance. It reflects a period of increased interest and appreciation for African American contributions to literature, music, and visual arts.
R. Baxter Miller is the author of "The Art and Imagination of Langston Hughes" (2006) and "Blues, Rhythm, and Revolution: An Encyclopedia of the Music, Culture, and Politics of the Civil Rights Movement" (2009). Miller is a professor of English and African American Studies with a focus on African American literature and culture.
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The Harlem Renaissance was a school of literature that emphasized the distinctiveness of African American culture. This artistic and intellectual movement took place in the 1920s and 1930s, primarily in Harlem, New York City. It celebrated the heritage, experiences, and creativity of African Americans through various art forms, including literature, music, and visual arts.
A Boom of cultural expression using music, art, dance, and literature in the African American community. This peaked in the 1920s- 1930s.
African American creativity in music and literature during the Harlem Renaissance
Harlem, New York City was considered the unofficial capital of African American culture during the 1920s and 1930s, known as the Harlem Renaissance. It was a significant cultural, artistic, and intellectual movement that celebrated African American heritage and creativity in literature, music, and the arts.
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