Usually called a "theme".
The Doctrine of the Affections is the Baroque idea that only one specific feeling should be communicated throughout a piece of music.
A motif is a small musical idea. It's generally repeated throughout a piece of music and can be sequenced (moved up and down in pitch).
A motif in music is a recurring musical idea or theme that helps to unify a piece. It can be a short melody, rhythm, or harmonic progression. Motifs create cohesion and structure in a composition by providing a sense of continuity and development. They can be repeated, varied, or transformed throughout the piece, adding depth and interest to the music.
A music motif is a recurring musical idea or pattern that helps to create unity and structure in a piece of music. It can be a short melody, rhythm, or harmonic progression that is repeated throughout the composition. Motifs help to develop themes, create variation, and build emotional connections for the listener, enhancing the overall coherence and impact of the music.
A Baroque idea that only one feeling should be communicated in a piece of musicAPEX ^^
emotion, feeling
Wagner's idea that an Opera that has continuous music throughout with a primary goal of symbolizing the drama was called music drama. He also broke the record for opera length with his piece Der Ring des Nibelungen -- it took four nights to perform, with a total of about 15 hours,
A musical motif is a short musical idea or phrase that is repeated and developed throughout a piece of music. It serves as a building block for the composition, creating unity and coherence. By using motifs, composers can create a sense of structure, develop themes, and evoke emotions in the listener.
The rondo form in music incorporates a recurring theme, similar to the baroque ritornello, which is a repeated section that comes back throughout the piece. This helps to create a sense of unity and structure in the music.
A strict composition with imitation throughout refers to a piece of music where a musical idea is introduced in one voice or part and then imitated exactly or varied in other voices or parts. This technique, common in Baroque music, creates a sense of unity and coherence in the composition. Examples include the fugue and canon.
help
The "A" melody