Dramatic Interpretation and Humorous Interpretation are actually two different events that are primarily offered at high school Speech tournaments.
Both events require the speaker to memorize a selection (up to 10 minutes long) that, depending on the event, is either dramatic or humorous. The speaker then delivers his/her piece in front of a judge and possibly other competitors.
try to find it online and in a book
A verse that is humorous.
Shakespearean is the proper adjective for Shakespeare. It's always capitalized because it's derived from a proper noun.
A Dramatic Role.
It's an old dramatic technique, called the dramatic foil. In order to underline the characteristics of one character he or she is put on stage opposite a character with whom he or she contrasts.
"Shell Phone" could be seen as humorous due to its playful use of wordplay and imagery, such as comparing a seashell to a phone. However, the tone can also be interpreted as dramatic, as the poem explores themes of loneliness and desire for connection through the metaphor of a shell phone. Ultimately, the interpretation may vary depending on the reader's perspective.
hyperbole
try to find it online and in a book
Humorous Interpretation (often shortened to "Humorous Interp", "HI", or simply "Humor") is an event in competitive high school forensics leagues such as the National Christian Forensics and Communications Association and the National Forensic League.
Peter B. Messent has written: 'Ernest Hemingway' -- subject(s): Criticism and interpretation 'The short works of Mark Twain' -- subject(s): American Humorous stories, Criticism and interpretation, History and criticism, Humorous stories, American
Clark Griffith has written: 'Achilles and the tortoise' -- subject(s): American Humorous stories, Criticism and interpretation, History and criticism, Humorous stories, American
The five dramatic principles are unity of action, unity of time, unity of place, catharsis, and mimesis. These principles were developed by Aristotle in his work "Poetics" and have since been influential in shaping the structure and interpretation of dramatic works.
Don Geiger has written: 'Oral interpretation and literary study' -- subject- s -: Literature, Oral interpretation, Study and teaching 'The dramatic impulse in modern poetics'
Richard Usborne has written: 'A Wodehouse companion' -- subject(s): Characters, English Humorous stories, Handbooks, manuals, Stories, plots 'Plum Sauce' -- subject(s): Characters, English Humorous stories, Handbooks, manuals, Stories, plots 'Dr. Sir Pelham Wodehouse, old boy' -- subject(s): Criticism and interpretation, English Humorous stories, History and criticism 'Wodehouse at work' -- subject(s): Characters and characteristics in literature, Criticism and interpretation, English Humorous stories, History and criticism 'Wodehouse at work to the end' -- subject(s): Criticism and interpretation, English Humorous stories, History and criticism 'Dr Sir Pelham Wodehouse Old Boy (Wodehouse Monograph: No. 1)' 'A century of Summer Fields' -- subject(s): Oxford, Oxford. Summer Fields, History
You're doing too much, over-the-top, dramatic, loud and usually either humorous or pejorative.
Constance Frick has written: 'The dramatic criticism of George Jean Nathan' -- subject(s): Criticism, Drama, History and criticism, Theory, Dramatic criticism, Criticism and interpretation, History
Dirk Sinnewe has written: 'Divided to the vein?' -- subject(s): Dramatic works, Criticism and interpretation