Your best options are the Shure Beta 9 or the Audix D6.That's if you're prepared to spend 200 dollars or more.Unfortunately you won't have better options.
The price of a drum mic kit depends on various factors like how much the seller wants for it, and where one purchases the drum mic kit. The price can range from $150 to $500.
You need double non-parallel walls with dead air in between the walls. Make sure the walls have a lot of mass and insulation. For drums its best to have a dynamic mic to each drum and symbol. For guitar it's best to have a mic recording the amp instead of plugging straight through the system.
I am not quite sure what you mean by "Bass drum cover"But I have a feeling you mean the front head called the Resonant Head of the bass drum.A hole allows for a mic to be placed somewhat inside the drum to capture the whole sound of the drum.
It has a very good mic and sure is considered the best mic brand.
The processor made by sure is the best one to use with a sure mike.
the answer to the question is a guitar a drum a mic
It depends on where you are, and what size building you are playing in. if you are in a small-medium hall, then most kits will be able to carry their sound over the rest of the music without needing amplifications at all, apart from maybe a mic underneath the hi-hat to pick up them and the snare. For large gigs, stadiums and the such, or recording, most people use: 1 capacitor mic above the ride 1 capacitor above the crash 1 capacitor above by the high hats 1 unidirectional mic by the snare, 1 by high tom, 1 by low tom, 1 by floor tom, and 1 by bass drum. This covers 8 tracks right there - and normally in recording practices you actually use 2 tracks per instrument, say track 1 cranked over to full left channel and track 2 cranked over to full right channel. This is what produces the true stereo effect.
Yup! It should!
No, you only press buttons on the mic and drum set is not as fun as you think
When recording a snare drum with a mic on the top and the bottom, a phenomenon known as phase cancellation can occur. Sound is a wave. A property of waves is that they can interfere with each other destructively and constructively. Imagine the sound waves caused when hitting a snare drum. The waves from the top of the drum will go into the top mic first, then the bottom mic. The waves from the bottom of the drum will go into the bottom mic first then the top mic. Because of the timing of the waves as they arrive at each mic, they will destructively interfere, and many of the frequencies integral to a good snare drum sound will be low in gain (volume). So a good audio engineer will use a phase reversal lead on the bottom mic. This is just like a normal lead, only the positive and negative pins have been reversed, and the phase cancellation will not occur.
It is used to put a microphone in to make it louder.
Typically a guitar or 2 a bass guitar a drum set and a mic