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Harps in continental Europe differed from Irish harps in that the forepillar was thinner and less curved, the neck was more slender and it curved upward to meet the end of the column. Referred to as Renaissance harps, they typically had 24 or more gut strings which were fixed to the soundboard with brays (wooden pegs). By the end of the 17th century, they typically had staved sound bodies and straight forepillars.

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Q: What is the diatonic harp?
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