D, as this is the fifth note of the scale
The dominant 7th chord is composed of the root, major third, perfect fifth, and minor seventh. The dominant seventh for the F# key would be F#, A#, C# and E.
The dominant note is the 5th note in the scale. ie: in a C Major scale, G is the dominant note. The dominant is represented by the Roman Numeral "V" in music.
D f# a c
In the perspective of European-descendent theory, the degrees of any key or scale (major, minor, or modal) can be classified as follows: 1 - Tonic 2 - Supertonic 3 - Mediant 4 - Subdominant 5 - Dominant 6 - Submediant 7 - Leading Tone Let us take the case of C major as our key/scale: C - Tonic D - Supertonic E - Mediant F - Subdominant G - Dominant A - Submediant B - Leading Tone Similarily, this works in the minor keys, too. Using A natural harmonic as our key/scale: A - Tonic B - Supertonic C - Mediant D - Subdominant E - Dominant F - Submediant G - Leading Tone
The corresponding minor key to G Major is e minor. The key signature will be the same, one sharp: F#.
The dominant is the 5th, so in the key of C, it's G.
For bass clef, it is D. For treble clef, it is F. The way to remember what the dominant tone for any key is to count 4 notes above the 1st note. (the dominant is the 5th degree/note)
The dominant scale/chord in music is that built on the 5th scale degree of the key. In C major, the dominant is G.
In a major key, the dominant (watch your spelling) is the 5th, and the subdominant is the 4th scale degree. So, in the key of C, F is the subdominant and G is the dominant.
G,b,d
Dominant and sub-dominant refers to notes of a scale. The dominant is the fifth note (represented with a roman numeral, V) of a scale while the sub-dominant is the fourth (IV) note of that scale. For example, in scale of C major, the dominant is G and the sub-dominant is F.The terms dominant ans sub-dominant can also refer to chords, scales or keys. A dominant chord is one that is built on a dominant note. Musically, the dominant chord is considered to be unstable and must be resolved. Therefore, a dominant chord can be used to build tension in a chord progression.Dominant keys refer to the relationship between notes. For instance, key of G is the dominant key relative to C. Music that changes key often shifts between a tonic and its dominant.
If you are in the key of F, the Dominant key is C
A V-chord is a dominant triad. The route note is on the fifth scale degree (G in the key of C; Eb in the key of Ab; etc.).
No. It is only the dominant note in the scale of G.
They are basic tonal reference points. Tonic is the key the music is in. Dominant is exactly five whole tones above tonic. This is true of any key. If you are playing in C major, the dominant is G major. If you want to transpose the piece into D major, the tonic is D and the dominant is exactly five whole tones higher - A.
Concert pitch or instrument pitch? The dominant 7th in the key of A is E G# B D, but that's concert pitch. If the orchestra is in A, the clarinet is in B, and the dominant 7th would be F# A# C# E.
Dominant triads, which are built on the fifth (or dominant) note of the scale, are (almost) always major - even when written in a minor key. This is because the middle note (which is the 7th note of the scale - known as the leading note) is always raised by a chromatic semitone.For example:The C major dominant triad is composed of the notes G, B, and D.The a minor dominant triad is composed of the notes E, G#, and B. Although there are no accidentals in the key signature of this scale, the 7th note is raised from G-natural to G# in order to make it a harmonic scale.That's not to say that minor dominant triads don't exist, because they do. They're just rare. You might be able to find a minor dominant triad in a situation where the dominant triad is played in conjunction with a descending melodic line (i.e. where the 6th and 7th notes of the scale aren't raised).