The dominant 7th chord is composed of the root, major third, perfect fifth, and minor seventh. The dominant seventh for the F# key would be F#, A#, C# and E.
The key of G-sharp minor has 5 sharps (it's the relative to B major). G-flat minor is a key that only exists in theory, because that key signature would contain 9 flats. The limit on flats or sharps in a key is 7.
In the perspective of European-descendent theory, the degrees of any key or scale (major, minor, or modal) can be classified as follows: 1 - Tonic 2 - Supertonic 3 - Mediant 4 - Subdominant 5 - Dominant 6 - Submediant 7 - Leading Tone Let us take the case of C major as our key/scale: C - Tonic D - Supertonic E - Mediant F - Subdominant G - Dominant A - Submediant B - Leading Tone Similarily, this works in the minor keys, too. Using A natural harmonic as our key/scale: A - Tonic B - Supertonic C - Mediant D - Subdominant E - Dominant F - Submediant G - Leading Tone
It depends on which key you are referring to, all the keys with flats are: F major (1 flat) B-flat major (2 flats) E-flat major (3 flats) A-flat major (4 flats) D-flat major (5 flats) G-flat major (6 flats) C-flat major (7 flats) Likewise the relative minors are: D minor (1 flat) G minor (2 flats) C minor (3 flats) F minor (4 flats) B-flat minor (5 flats) E-flat minor (6 flats) A-flat minor (7 flats)
There is no B minor 7 scale. B minor 7 is only a chord. If you still want to know what play over a Bm7 chord then i suggest you play one of the following scales: B minor, B minor pentatonic, B Dorian
The chord A7 which has the notes A, C#, E, G.
The key of G-sharp minor has 5 sharps (it's the relative to B major). G-flat minor is a key that only exists in theory, because that key signature would contain 9 flats. The limit on flats or sharps in a key is 7.
D minor - more specifically, D harmonic minor (the version of the minor scale with a flat 6 and a sharp 7). However, you will never see a key signature with a B flat and a C sharp. The key signature will only contain B flat.
There are five key signatures with G sharp, they are: A major/F♯ minor (3 sharps) E major/ C♯ minor (4 sharps) B major/G♯ minor (5 sharps) F♯ major/D♯ minor (6 sharps) C♯ major/A♯ minor (7 sharps)
B minor. It is called the "relative minor" of D major because in essence they are the same scales however they have different root notes. B minor/D major are the "same" as C# locrian, or E dorian, or F# Phrygian etc.
They sound the same, but are different on a staff. An augmented 6th up from C would be A sharp. A diminished 7th up from C would be B flat. A sharp and B flat are enharmonic. It usually depends on what the question is and/or what key you are in.
That's a key that only exists in theory and not in practice (called an imaginary key), because it would have more than 7 flats. The key of G minor has 2 flats (Bb and Eb), so then key of G-flat minor would then have 9 flats. (The notes of that imaginary scale would be: Gb, Ab, Bbb, Cb, Db, Ebb, Fb, Gb) The enharmonic equivalent to G-flat is F-sharp, and F-sharp minor has 3 sharps.
The chord symbol for a dominant 7 flat 9 in the key of C major is C7b9.
A sharp half diminished 7 chord consists of the notes: the root, a minor third, a diminished fifth, and a minor seventh. The intervals are: root, minor third, diminished fifth, and minor seventh.
In A harmonic minor, there is just one sharp (G sharp).
Yes--No sharps: C1 sharp: G2 sharps: D3: A4: E5: B6: F#7: C#Hope this helps! :D
C major (no sharps or flats)Sharp Keys:G Major/E minor (1 sharp)D Major/B minor (2 sharps)A Major/F-sharp minor (3 sharps)E Major/C-sharp minor (4 sharps)B Major/G-sharp minor (5 sharps)F-sharp Major/D-sharp minor (6 sharps)C-sharp Major/A-sharp minor (7 sharps)Flat Keys:F Major/D minor (1 flat)B-flat Major/G minor (2 flats)E-flat Major/C minor (3 flats)A-flat Major/F minor (4 flats)D-flat Major/B-flat minor (5 flats)G-flat Major/E-flat minor (6 flats)C-flat Major/A-flat minor (7 flats)These are all the possible keys you can write in, enharmonic keys are italicised.
It's in the tonic key, D minor.