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In the perspective of European-descendent theory, the degrees of any key or scale (major, minor, or modal) can be classified as follows:

1 - Tonic

2 - Supertonic

3 - Mediant

4 - Subdominant

5 - Dominant

6 - Submediant

7 - Leading Tone

Let us take the case of C major as our key/scale:

C - Tonic

D - Supertonic

E - Mediant

F - Subdominant

G - Dominant

A - Submediant

B - Leading Tone

Similarily, this works in the minor keys, too. Using A natural harmonic as our key/scale:

A - Tonic

B - Supertonic

C - Mediant

D - Subdominant

E - Dominant

F - Submediant

G - Leading Tone

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