The dominant note is the 5th note in the scale. In the B Major scale, F is the dominant note.
G major transposed down a major second becomes F major. In the G major scale, the notes are G, A, B, C, D, E, and F#. When you lower each note by a whole step (major second), the resulting scale is F, G, A, Bb, C, D, and E.
D f# a c
The dominant 7th chord is composed of the root, major third, perfect fifth, and minor seventh. The dominant seventh for the F# key would be F#, A#, C# and E.
In the perspective of European-descendent theory, the degrees of any key or scale (major, minor, or modal) can be classified as follows: 1 - Tonic 2 - Supertonic 3 - Mediant 4 - Subdominant 5 - Dominant 6 - Submediant 7 - Leading Tone Let us take the case of C major as our key/scale: C - Tonic D - Supertonic E - Mediant F - Subdominant G - Dominant A - Submediant B - Leading Tone Similarily, this works in the minor keys, too. Using A natural harmonic as our key/scale: A - Tonic B - Supertonic C - Mediant D - Subdominant E - Dominant F - Submediant G - Leading Tone
The dominant note is the 5th note in the scale. In the B Major scale, F is the dominant note.
The dominant of B is F#.
The dominant is the 5th tone in the scale. In a D Major scale, the dominant is A.
The dominant note in a G major scale is D. In music theory, the dominant note is the fifth note of the scale, which in the case of G major is D. This note is important because it creates tension and leads back to the tonic note, G, creating a sense of resolution and stability in the music.
The dominant in a scale is the 5th, which in the key of F# major is C#.
The dominant in a scale is the 5th, which in the key of F# major is C#.
The tonic note of any diatonic scale is the first note (starting note) of the scale. In the case of G-flat major the tonic note is G-flat!
The dominant of B is F#.
The subdominant in any major scale is the fourth note. So, in C major, the subdominant is the F.
Any major scale follows the same pattern. After the first note is a whole step, then another whole step, then a half step, whole step, whole step, whole step, half step; therefore, the fourth note of a scale is two and a half steps away from the first note.
The leading tone is the seventh scale degree of the diatonic scale which in F Major is the note "E".
The arpeggio is the root, 3rd, and 5th of the scale. In F major, those note are F A C.