G major transposed down a major second becomes F major. In the G major scale, the notes are G, A, B, C, D, E, and F#. When you lower each note by a whole step (major second), the resulting scale is F, G, A, Bb, C, D, and E.
F major transposed down a major second becomes E major. In terms of notes, the F major scale consists of F, G, A, B♭, C, D, and E. When you transpose it down a major second, you shift each note down by two half steps, resulting in the E major scale: E, F♯, G♯, A, B, C♯, and D♯.
E A major second is equivalent to a whole note, or two semitones, and two semitones down from G-flat (which is enharmonically equivalent to F-sharp) is E, although it might be written as F-flat depending on the key signature. F-flat, E to G-flat would be a diminished 3rd, not a major second..
The easiest way to modulate from G to F major is by modulating down to C major on the way. In that way you are moving down the circle of fourths/fifths.
There are five major seconds which occur in the key of F major - the first major second is between F and G, then between G and A, then between B-flat and C, then between C and D and finally between D and E. I hope this answers your question.
E Minor is the relative minor to G Major.
F major transposed down a major second becomes E major. In terms of notes, the F major scale consists of F, G, A, B♭, C, D, and E. When you transpose it down a major second, you shift each note down by two half steps, resulting in the E major scale: E, F♯, G♯, A, B, C♯, and D♯.
E flat major transposed down a minor second becomes D major. In music, transposing down a minor second means lowering the pitch by one whole step. Therefore, the notes in the E flat major scale (E♭, F, G, A♭, B♭, C, D) are shifted down to D major (D, E, F♯, G, A, B, C♯).
Music in B major transposed down a major third will be in the key of G major.
E A major second is equivalent to a whole note, or two semitones, and two semitones down from G-flat (which is enharmonically equivalent to F-sharp) is E, although it might be written as F-flat depending on the key signature. F-flat, E to G-flat would be a diminished 3rd, not a major second..
E A major second is equivalent to a whole note, or two semitones, and two semitones down from G-flat (which is enharmonically equivalent to F-sharp) is E, although it might be written as F-flat depending on the key signature. F-flat, E to G-flat would be a diminished 3rd, not a major second..
The interval between B-flat and G is equal to a major 6th. Thus, if a song has been transposed from B-flat major to G major, it will be a major 6th higher.
Yes, but there is more than one possibility. What you probably want is a written G major scale, which is is G, A, B, C, D, E, F#, and back to G. A concert G major scale is transposed to be a written A major - A, B, C#, D, E, F#, G#, A. Then there are minor scales, blues scales, pentatonic scales, and others, any of which may begin on G (either as written or concert pitch)
His most famous aria is his Air on the G string. While Bach's Air on the G String (a piece from his Orchestral Suite No. 3 in D major, transposed to the key of G) is very popular, it probably wouldn't qualify as an aria.
The easiest way to modulate from G to F major is by modulating down to C major on the way. In that way you are moving down the circle of fourths/fifths.
The song is in the key of F. Sheet music and songbooks including "Hey Jude" are readily available.
A major 2nd below A is G.
The easiest way to modulate from G to F major is by modulating down to C major on the way. In that way you are moving down the circle of fourths/fifths.