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Q: What is the name of the french artist whose pointed approach to art has the zinc chromate in his most famous painting swifting slowly to brown?
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What does white represent in art?

Depends on the time period that the art was painted or created. For instance a woman wearing a white dress in a Renaissance painting pointed to the idea she was a virgin and pure. Women symbolized to prominent ideas of the virgin or the harlot in Renaissance art. Within paintings there were many symbols for the viewer.


What is the purpose of saloon doors?

I was recently wondering the same thing. Everything I've found on the subject has been admittedly speculative, but fairly reasonable. A few people have argued that saloon doors are entirely a Hollywood invention, but most people claim that they were in fact in use in the Old West. One thing the movies don't show, apparently, is that saloons had a normal outer door that was locked after hours. When the saloon was open, the swinging doors accommodated the high traffic, and patrons with their hands full (with saddles and such) could pass in and out without running into each other -- like the interior doors you find in hospitals, or the kitchen doors in a restaurant. The doors were short because glass panes were expensive, and obviously would have broken frequently. Another thing that someone pointed out is that though these doors would not have done much to keep out dust and weather, they did allow smoke to ventilate out, in the bygone days when you could smoke in a bar. Another advantage is that passers-by could hear and be enticed in by the music and merrymaking going on inside, while blocking the view and maintaining some privacy and propriety. Again, none of this is authoritative, but is reasonable speculation.


The fashion in London in the 1600?

Fashion in the period 1600-1650 in Western European clothing is characterized by the disappearance of the ruff in favor of broad lace or linen collars. Waistlines rose through the period for both men and women. Other notable fashions included full, slashed sleeves and tall or broad hats with brims. For men, hose disappeared inn favor of breeches.The silhouette, which was essentially close to the body with tight sleeves and and a low, pointed waist to around 1615, gradually softened and broadened. Sleeves became very full, and in the 1620s and 1630s were often slashed to show the voluminous sleeves of the shirt or chemise beneath. Waistlines rose.Dense surface ornament fell out of fashion in favor of solid-colour satins, and ribbon bows were common as trim.Spanish fashions remained very conservative. The ruff lingered longest in Spain and Holland, but disappeared first for men and later for women in France and England.The social tensions leading to the English Civil War were reflected in English fashion, with the elaborate French styles popular at the courts of James I and his son Charles I contrasting with the sober styles in sadd or somber colors favored by Puritans and exported to the early settlements of New England.


What is the difference between a rich and a poor Tudor house?

Typical half-timbered Tudor house One of the most startling transformations in the history of English architecture took place in the Tudor period. It was not, however, a transformation in style. Buildings were still largely Gothic in form; at least during the first half century of the Tudor period. Instead the transformation was a social one; building effort now went towards secular, rather than ecclesiastical buildings. There are several reasons for this change. One is simple; there were plenty of churches for the needs of the population of England. More profoundly, the church was no longer the force it had been in the medieval period. The growing unpopularity of the church, with its perceived worldliness and wealth, meant that those with money to spend now spent it on themselves. The Dissolution of the Monasteries under Henry VIII meant that there were large areas of land freed up for exploitation by the newly wealthy gentry class. New farms were built upon former monastic lands, and labourers' cottages for tenants who worked the land. Curiously, changes in architectural style resulted in buildings shrinking; becoming more intimate. Rather than the move towards spaciousness so evident in the late Gothic period, Tudor architecture focussed on details. Windows and doors were smaller, but more ornately decorated, more complex. The smartly pointed arch of the Gothic period gave way to the flattened Tudor arch. The most striking window treatment to emerge in the Tudor period is the oriel, a projecting, multi-sided window cantilevered out from an upper floor, and supported on a bracket or corbel from beneath. Tudor Chimney Chimneys and enclosed fireplaces became common for the first time. Indeed, the Tudor chimney is one of the most striking aspects of this period. One of the reasons for the increased use of chimneys was the widespread adoption of coal as fuel. Previously wood smoke was allowed to escape from the interior through a simple hole in the roof. Now, the increased smoke from coal made necessary evolved forms of fireplaces, flues, and chimneys to get the smoke away from the living space. Chimney stacks were often clustered in groups, and the individual chimney columns were curved, twisted, and decorated with chequerboard patterns of different-coloured bricks. And that brings up a second noticeable characteristic of Tudor architecture; the use of brick in building. Spreading from East Anglia, where it had been introduced from the Low Countries in the late medieval period, brick became one of the most common building materials. Some bricks were imported into England, brought back in ships that exported English wool to the continent. Others were made in brickyards established in East Anglia by Dutch immigrants. It may seem strange to the modern reader, but brick was originally a luxury item. Only those at the top of the social and economic spectrum could afford to build in brick. The most remarkable Tudor brick building is Hampton Court Palace, but a multitude of smaller estates and country houses made use of this newly fashionable luxury material. In several areas of England, notably Cheshire, Lancashire, and Warwickshire, wooden houses, generally in oak, are more numerous than brick. Wood was used to create a skeleton which was filled in with brick or plaster. Bricks were often laid in a herringbone pattern, made possible because they had no structural responsibilities; the wooden posts took the strain and the bricks served as decorative infill. A hybrid form saw the lower story built in stone, with wood used for the upper stories. Where bricks were too expensive plaster was the infill of choice, resulting in the typical "black-and-white" small Tudor house, whitewashed plaster set between blackened oak timbers. Often the upper stories of these houses projected above the lower floors, particularly in towns, where ground-floor space was at a premium and the house owner might be taxed according to street frontage. A simple Tudor window and moulding Even in wooden houses, though, window and doors are similar to the stone designs, with small arches capped by simple squared-off mouldings. The great houses of the Tudor period featured fanciful gatehouses. The idea was to create an impressive, awe-inspiring entrance. This was accomplished by entry through a broad, low arch flanked by tall octagonal towers decorated with ornate false battlements. Above the entry arch many houses prominently featured a family coat of arms. Linen fold paneling The most obvious feature of interior decoration is the widespread use of oak panelling. This panelling often extends from floor to ceiling. The most common motif used for the panelling was the linen-fold, a raised carving imitating folds of cloth. The term "linen-fold" is a 19th century one; at the time this pattern was termed "lignum undulatum", or "wavy woodwork".


Related questions

A quote from Pablo Picasso?

Picasso was present at an exhibition of his pictures. A man approached him, pointed at a painting and said : "What on earth is this painting about?" Picasso answered: "About 300,000 francs, my friend".


Is there anyone who has seen an old painting of family in horse cart with strange looking dog with devil pointed looking ears?

yep me why?


Should it be written as detail oriented or detail-oriented?

"Orientation" is a noun, meaning the direction something is pointed. "Oriented" is a verb form and adjective meaning pointed that way. "Detail-oriented" means pointed in the direction of detail, concerned with detail. "He has a detail-oriented approach" means he concerns himself with details. "Detail orientation" means the direction the detail is pointed, not perhaps a very useful phrase, since detail is rarely pointed in any direction.


How do astronauts slow their spacecraft down when approaching the moon?

Astronauts use small bursts from little jets pointed in the direction of travel to slow down the ship when they approach the moon.


A sentence with the word finger?

She pointed her finger at the painting to indicate the area that needed touch-ups.


Is the the word pointed an adjective?

pointed can be both a verb and adjective. Verb: 'He pointed his finger at her.'Adjective: The pointed rock looked funny.


Ihave the painting when he pointing to the center field 1932?

to whom it may concern: my name is maria, i have a painting about babe ruth. Agreat moment in masculinity" in the 1932 yankee-cubs world series, babe ruth, wirh two strike against him. pointed to the spot where he'd hit the next pitch for a home-run And then he did it!


What has a pointed nose?

Many birds have pointed noses that are called beaks. An anteater also has a pointed nose.


What does a pointed foot look like?

a foot pointed


What is a Pointed top?

A Pointed Hilltop is called A Peak.


What is a pointed hill top?

A Pointed Hilltop is called A Peak.


How do you spell pointed?

That is the correct spelling of "pointed" (having a point).