They moved religious messages into the background.
A symbolic still life.
Raphael did.
J Van Eyke
Leonardo Da Vinci was the Renaissance man during the Italian renaissance, He was an engineer,invent machines,make many advances in anatomy,painter -developing skills &techniques(Famous painting such as Mona Lisa),he drew detailed drawings of plants and birds, architect and designed many buildings
painter
A Northern Renaissance painter was more likely to produce oil paintings than an Italian Renaissance painter, who typically favored fresco and tempera. Additionally, Northern Renaissance painters often depicted landscapes and genre scenes, whereas Italian Renaissance painters focused more on religious and classical subjects.
A symbolic still life.
A symbolic still life
The Mona Lisa was painted Leonardo da Vinci, an Italian Renaissance painter and inventor.
All his work as a painter belongs to the Italian Renaissance.
the first renaissonce painter was not Italian it was Robert campin and he was from the Netherlands also Italy was not a united country then
.it is michaelangelo
yes, Michelangelo was one of the greatest painters and sculptresses before and after the Renaissance.
Albrecht Dürer.
It is important to note that Italy has had many fine painters since the beginning of time. One Cesare Bassano is on record as the first Italian painter.
Italian painters emphasized the beauty of the human body. They wanted to show the ideal human form and face. Leonardo and Raphael created beautiful Madonnas, athletic figures that seem to spring to life. Artists in northern Europe, on the other hand, painted with great attention to detail, even if the detail was not flattering. If a merchant had a wart on his face, a northern European artist was likely to include that wart. For the northern European painter, capturing the detail was less important than rendering the real in great detail.
Giorgio Vasari, an Italian painter and architect, wrote the book "Lives of the Most Excellent Painters, Sculptors, and Architects," commonly known as "Lives of the Artists." Published in 1550, the book is an important source of biographical information and art history of Italian Renaissance artists.