Phil Spector has produced many records and promoted some prominent girl groups, including The Crystals and The Ronettes. He was very successful in the early 1960s.
Carole King was essentially a songwriter for Spector, in New York. over the course of time Spector evolved beyond the recording world into eventually, Spector Industries. They had worked out elaborate sound systems for it is rumored, Air France, among others.
Beach Boys founder, chief composer and producer Brian Wilson admired Spector, and considered him his closest rival. Wilson even began using the same studio (Gold Star) and musicians as Spector, to build on what he heard in Spector's work. Spector and Wilson worked together once, on a backing track for a song which they never finished. The track was used in a public service announcement, featuring Jay and the Americans. The Beach boys were a self-contained outfit and I don"t think they had any direct connection with Spector. Spector produced the following acts: Ronettes, Pony Tails, Teddy Bears, Darlene Love, Bobb-E Sox and the Blue Jeans, Crystals- much later some cuts by the Beatles such as Long and Winding Road, ( very un-Spector sounding) and also the Righteous Brothers in a more mellow vein. as far as I know He had no direct connection with the beach boys though it is claimed (Don"t Worry, Baby,) which is a Beach Boys song- is an answer song to Be My Baby- and Ronnie ( by Beach Boys) is a Paen to then Miss Bennett. Because, you were my first love! Philip would not like that!
You may be confusing Walker ( a man"s name) with the so-called Walking Bass line which ( walks- moves slowly but at a deliberate pace) up and down the scale and is used on umpteen rock and roll songs- not merely =Spectors. It should be noted many Spector song including Most of the Ronettes" hits are Three-Beat ( Be my Baby) rather than 4/4 commercialized by the Beatles. Scott Engel "Walker" did a lot of LA session work but most of the Spector bass work went to Carol Kaye. She was the most in demand player for quite some time. The ultimate pro.
Phil Knight worked at a rival news paper company of his father. His father wouldn't allow him to work for him because he wanted Phil to find work on his own. Whoop there it is.
I believe at some stage he has used Gretsch.
Phil brooks
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Production.
Phil and Malcolm eventually had a falling out and he was sacked. Phil reutned to the band a few years later after he and Mal settled their differences. Chris Slade left only because the boys wanted to work with Phil again.
"Let it be" was actually first recorded and filmed in 1969. The sessions for "Let It Be" began shortly after the "White Album" was released in 1968. The sessions were filmed with the intent of demonstrating how a Beatles album is made, instead it captured "bickering Beatles" in a state of disarray. The project was shelved indefinatley with miles of film and tape. "Abbey Road" was then recorded and released as the "Beatles" swansong record. By the end of 1969 the Beatles were finished and Phil Spector was called in to put an album together of the masters. Released in 1970 to the public for the first time "Let It Be" seems prophetically indicative of the end of the band.Although Phil Spector is known his "Wall of Sound", his work on "Let It Be" was not his best. Paul McCartney was furious at the way Spector had "schmaltz-ified" some pieces. In 2003 Paul organised the release of a re-engineered "Let It Be ... Naked". The songs were stripped of the Spector layers, two mere snippets ("Maggie May" & "Dig It") were cut, the playing order was made rearranged, and "Across the Universe" (having been returned to its proper speed) was added. Arguably, this album is a significant improvement; although it is unfortunate that all the studio chat at the start of "Get Back" has been cut. (Some needed cutting, but not all!).
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