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In ancient Greek tragedy, the number of actors was limited to three, but the chorus and chorus leader could also be used.
Greek tragedy
drama serves as entertaintment
One to three, not counting the chorus, which numbered from 12 to 50. The actors were all male, wore masks, and switched masks as they changes roles.
the three main plot lines in drama, are the beginning, middle, and end.
In ancient Greek tragedy, the number of actors was limited to three, but the chorus and chorus leader could also be used.
Ancient Greek theater evolved from a chorus to three actors and a chorus through the work of the playwright Aeschylus. He introduced a second actor, which allowed for more complex interactions on stage. Sophocles then added a third actor, further increasing the dramatic possibilities. This evolution from a single actor and a chorus to three actors and a chorus helped enhance the complexity and depth of Greek theater.
Greek tragedy
There are THREE types of greek drama, contrary to the belief that there are only two. The three types of drama are: comedy, satyr, and tragedy. Here is a website with some info about it (I !): http://www.pbs.org/empires/thegreeks/background/24c.html
Not much. Sometimes you had Chorus Men and Women acting something like modern M.C."s introducing the various acts- this has nothing to do with chorus of a song, or musical nature. Drama was , by today"s standards, stodgy and slow paced ( Look up Aeschylus" tragedies, for example). When Ghost scenes were required ( as this playwright used- Darius (II) They would have a voice off stage , or some solemnly costumed ( sponsor)- not in the commercial sense- read for the dead man. All Greek Drama was either Tragedy or Comedy- no intermediate stages. Plato and Aristotle, avid drama fans, insisted on the so-called Three Relations. No, that is not an alternate monicker for the Ronettes! I can jsut imagine it- what were the Three Relations?- Ronnie, Nedra, and Estelle!
The Greek drama's were written by the famous Sophocles, and Euripides. There are two types of greek plays. One, obviously a drama, and two, a comedy. Drama's were about love and relationship, that normally ended sad. Comedy's were totally the opposite and included no more than three people; or less.
Each play had three main actors accompanied by a chorus which sang and danced in support. Any citizen was eligible to participate.
They were the narrative part. Initially the plays were sung and danced in forest glades. Then it went to a stage and an actor was introduced, then two and then three. The chorus remained to provide continuity and represent groups of people.
Greek soul
David Grene has written: 'Reality and the heroic pattern' -- subject(s): Criticism and interpretation, Drama, Heroes in literature, History and criticism, Ibsen, Henrik, 1828-1906, Shakespeare, William, 1564-1616, Sophocles, Tragicomedies, Tragicomedy 'Greek Political Theory' 'Reality and Heroic Pattern' 'Aeschylus' 'Greek political theory' -- subject(s): Politics and government 'Three Greek tragedies in translation' -- subject(s): Drama, Greek drama (Tragedy), Hippolytus (Greek mythology), Lending library, Oedipus (Greek mythology), Prometheus (Greek deity), Translations into English
Sophocles was an important figure in ancient Greek theater because he developed dramatic techniques like increasing the number of actors on stage, introducing painted scenery, and expanding the chorus's role. He wrote over 120 plays, with only seven surviving, including famous works like "Oedipus Rex" and "Antigone." His plays explored themes such as fate, free will, and the consequences of hubris, influencing the development of Western drama.
Their role was to: - observe and comment on the action of the two or three actors - forward the action of the plays - garner sympathy for the heroes in the plays - draw the audience in, even if the audience is already aware of the outcomes of the stories.