A key feature of Renaissance painting is that they have perspective and depth.
Mannerist painters departed from High Renaissance painting conventions by breaking the principles of design and color that had been put in place during the High Renaissance. Mannerist paintings often feature elongations of the human figure.
What renaissance values are embodied in this painting?
What are the characteristics of the High Renaissance painting or sculpture?
A Renaissance painting.
Giulietta Chelazzi Dini has written: 'Pittura senese' -- subject(s): Italian Painting, Medieval Painting, Painting, Italian, Painting, Medieval, Painting, Renaissance, Renaissance Painting
oil painting
The use of perspective changed. Central perspective was invented early in renaissance.
most of the subjects are painted in Greek and Roman clothing (APEX)
Franco Russoli has written: 'Painting of the Renaissance' -- subject(s): Italian Painting, Renaissance Painting 'La raccolta Berenson' -- subject(s): Italian Painting, Painting, Private collections
Paul Reinhold. Wescher has written: 'Grosskaufleute der Renaissance' -- subject(s): Portraits, Merchants, Painting, Renaissance, Renaissance Painting
Luigi Agus has written: 'Gioacchino Cavaro' -- subject(s): Painting, Renaissance, Renaissance Painting
Keith Christiansen has written: 'Mantegna, Padua and Mantua' -- subject(s): Camera degli Sposi (Castello di San Giorgio, Mantua, Italy), Chiesa degli Eremitani (Padua, Italy), Criticism and interpretation, Italian Mural painting and decoration, Mural painting and decoration, Italian, Mural painting and decoration, Renaissance, Renaissance Mural painting and decoration 'Fourteenth-century Italian altarpieces' -- subject(s): Catalogs, Gothic Altarpieces, Italian Altarpieces, Metropolitan Museum of Art (New York, N.Y.) 'Early Renaissance narrative painting in Italy' -- subject(s): Painting, Renaissance, Renaissance Painting 'The Ca'Dolfin Tiepolos' 'The Renaissance portrait' -- subject(s): Italian Art, Exhibitions, Renaissance Portraits 'Painting in Renaissance Siena, 1420-1500' -- subject(s): Art and society, Exhibitions, Italian Painting, Painting, Italian, Painting, Renaissance, Renaissance Painting 'Gentile da Fabriano' -- subject(s): Painters, Biography 'Duccio and the origins of western painting' -- subject(s): Criticism and interpretation 'Andrea Mantegna, Padua and Mantua' -- subject(s): Camera degli Sposi (Castello di San Giorgio, Mantua, Italy), Chiesa degli Eremitani (Padua, Italy), Criticism and interpretation, Italian Mural painting and decoration, Mural painting and decoration, Italian, Mural painting and decoration, Renaissance, Renaissance Mural painting and decoration