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They used perspective.
Artists didn't need to use perspective or create the illusion of depth.
Donatello was an artist and sculptor. He was the most influential artist of the Renaissance and before he was 20 was receiving commissions for his work. His work incorporated the new science of perspective which allowed the sculpture to create figures that occupied measurable space.
Many Renaissance painters used one-point perspective to create a sense of space in their works.
Today, many artists and composers are inspired by those from the Renaissance, thus giving them the inspiration to create masterpieces of their own. Also, when we look at Renaissance art, we are truly awed at the precise detail and perspective.
Fillipo Brunelleschi's linear perspective revolutionized drawing and painting. He was the first person to really nail down the rules of vanishing points and perspective grids. Linear perspective is the practice of using a horizon line, vanishing points and grids drawn in perspective to portray things (especially buildings and cityscapes) in realistic proportions and to calculate feats of engineering. This was a huge feature in Renaissance art.
The left painting only
Establish a horizon line and a vanishing point
A technique in which two or more vanishing points are used to create the illusion of depth on a flat surface..
A multiple point perspective is a technique in which two or more vanishing points are used to create the illusion of depth on a flat surface
Italian High Renaissance.
Establish a horizon line and a vanishing point
The artist depicted figures within settings that demonstrate the use of atmospheric perspective.
The artist depicted figures within settings that demonstrate the use of atmospheric perspective.
They used perspective.
Artists didn't need to use perspective or create the illusion of depth.
Donatello was an artist and sculptor. He was the most influential artist of the Renaissance and before he was 20 was receiving commissions for his work. His work incorporated the new science of perspective which allowed the sculpture to create figures that occupied measurable space.