W. S. Lee, or Wu Song Lee, is a renowned Chinese-American landscape painter known for his traditional Chinese brush painting techniques and innovative blending of Eastern and Western artistic styles. His works often depict serene landscapes, mountains, and waterscapes inspired by Chinese ink painting traditions. Lee's art has been exhibited internationally and his pieces are highly sought after by collectors.
Grant W. Reid has written: 'From concept to form in landscape design' -- subject(s): Landscape design
W. Williams has written: 'The art of landscape painting in oil colours' -- subject(s): Technique, Landscape painting
Y. S. W. Way Lee has written: 'The Chinese question' -- subject(s): Colonies, Foreign relations
H. W. S. Cleveland has written: 'The aesthetic development of the United Cities of St. Paul and Minneapolis' 'Landscape Architecture, as Applied to the Wants of the West; with an Essay on Forest Planting on the Great Plains (ASLA Centennial Reprint Series)' 'Landscape architecture' -- subject(s): Landscape architecture
Lee W. Churchman has written: 'Survey of electronics' -- subject(s): Electronics 'Introduction to circuits' -- subject(s): Electric circuits
he is a reverse glass artist from the 1800's
Lee W. Kuhn has written: 'Controlling moles' -- subject(s): Control, Moles (Animals)
John W. Lee has written: 'ERISA' -- subject(s): Law and legislation, Pension trusts, Taxation
Norma W. Lee has written: 'A study of Kusumi Morikage and his paintings =' -- subject(s): Criticism and interpretation
John W. Ittmann has written: 'Post-impressionist prints' -- subject(s): French Prints, Post-impressionism (Art), Prints, French 'The forest of Fontainbleau, refuge of reality: French landscape 1800 to 1870' -- subject(s): Exhibitions, French Landscape painting, Landscape painting, French
Lee W. Huff has written: 'Mobile development unit follow-up' -- subject(s): Community development
Lee W. Janson has written: 'The big picture' -- subject(s): Biochemistry, Clinical biochemistry, Biochemical Phenomena