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Good question. Soliloquys are usually reserved for major characters, which is to say, the protagonist and the antagonist. In Hamlet, Hamlet the protagonist gets five soliloquys and Claudius the antagonist gets one. In Othello, it's the other way around: Iago gets all the soliloquys. Minor characters rarely get them. An early and peculiar example to the contrary is Launce's scene with his dog in The Two Gentlemen of Verona, but that was supposed to be a comic turn.

You can see why this is. Suppose Shakespeare had written a soliloquy for Ophelia after she has been set as the bait in the trap for Hamlet. Perhaps she could talk about how she is torn between obeying her father and her love of Hamlet. Perhaps she could speculate about the meaning of loyalty. Perhaps she could talk about how she feels about being used in this way. If she did any of this she would suddenly stop being a supporting character and become a main character, because her conflicts and problems are brought to the fore and become what the audience is concentrating on and cares about. Indeed the play could become the play Ophelia rather than the play Hamlet.

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Can you give me an example of soliloquy?

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