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Lakunle describes the villagers as the "dead of this village" because he feels they are stuck in traditional ways, rigid and unchanging. He sees them as lacking the vitality and progressiveness he desires in the village.

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Q: Why do lakunle described the villagers as the dead of this village on page 6 line 21 of the lion and the jewel?
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Compare and contrast the character of Boroka and Lakunle in ''The Lion and the Jewel''?

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Can you compare Lakunle's character with the bale in ''The Lion and the Jewel''?

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Lakunle in "The Lion and the Jewel" is portrayed as a modern, educated schoolteacher who rejects traditional customs and seeks to modernize his village. He is condescending towards the village's beliefs and practices, often clashing with Sidi, the village belle, who represents the traditional values he opposes. Lakunle's character can be seen as a commentary on the clash between tradition and modernity in African society.


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Discuss how Soyinka uses the contrasting characters of Lakunle and Baroka to comment on the blind embrace of the young African men to their dteriment?

Soyinka juxtaposes the characters of Lakunle and Baroka in "The Lion and the Jewel" to highlight the dichotomy between traditional and modern African masculinity. Lakunle represents youthful idealism and Western-influenced values, which he blindly follows to the detriment of his community. Baroka, on the other hand, embodies the cunning and traditional wisdom that ultimately triumphs over Lakunle's naive and self-destructive beliefs. Through their interactions, Soyinka critiques the blind adoption of Western ideals without a nuanced understanding of their impact on African society.


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Discuss the theme of tradition versus mordenity in the lion and jewel?

"The Lion and the Jewel" by Wole Soyinka explores the clash between tradition and modernity through the characters of Lakunle, who represents modernity, and Baroka, who embodies traditional values. The play highlights how these two perspectives come into conflict in a changing society, as seen through the competition for the village belle, Sidi. Ultimately, Soyinka suggests that a balance between tradition and modernity is necessary for cultural progress.