The hero of a tragedy must be a real person. Real people do not easily fit into one of the two categories. A tragedy often exposes the forces that have formed a person's motives, and they can't fit into a box.
Aristotle believed that for the audience to empathize and experience catharsis, the hero shouldn't be too virtuous, as their downfall would be too tragic, or too evil, as their fate would be deserved. A balance allows for the audience to see the hero's fall as both a warning and a reflection of human nature.
Aristotle believed that the audience would identify with a tragic hero if they were neither too virtuous or too evil. He believed that if they went too far to either side the common person wouldn't be able to identify with them.
To let the audience identify with the hero
someone who is neither entirely bad nor entirely evil, with whom the audience can identify, and for whom the audience can have sympathy.
Aeon is an anti-hero. He is neither good nor evil.
tragic hero. The tragic hero typically experiences a downfall as a result of a fatal flaw or error in judgment.
1.evil hero Infernal Prodigy. 2.evil hero Dark Gaia 3.evil hero Infernal Gainer 4. evil hero Infernal Sniper 5.evil hero inferno wing 6.evil hero lightning Golem 7.evil hero Malicious Edge 8.evil hero Malicious Fiend and the last evil hero wind cyclone
Tragedy
Aristotle believed that the audience would identify with the tragic hero if they were of intermediate moral standing, where they exhibit both good and bad qualities. This balance allows the audience to see elements of themselves in the character's struggles and flaws, making the tragic hero's downfall more relatable and impactful.
The hero makes a mistake in judgment.
is doing better at the beginning of the tragedy than he or she will at the end
In a tragedy, the hero must make a fatal mistake or have a character flaw that leads to their downfall.