Your Foot!
The song "By the Light of the Silvery Moon" is from the eponymous film starring Doris Day .
Photographic film is not light sensitive to red light ... 2nd Answer: Actually, that is not true. When you are working with photographic film, any light at ALL will 'fog' the film and ruin your photos. Photo paper is nowhere near as sensitive to red light as film is, so you can use a red "safe" light so you can see what you're doing as you print, develop, stop, and fix your photo prints. The room lights may be on as you rinse the print.
Its just a different way of measuring light sensitivity. ISO is more common..
"CCD" or Charge-Coupled Device. That's the name of the light sensor used in digital cameras.
Yes it is a true film.
Suppose white light is incident from a extended source on a plane parallel thick film viewed in reflected system, then for any value of r, due to large thickness the values of u can be found to satisfy the condition of constructive interference for every colour in the spectrum of white light. The different coloured fringes will overlap to produce general illumination. Thus, a thick film will produce general illumination and no colour will be seen.
additive colour and colour reversal
Presumably a light brown colour, as per her earlier roles in Australian film.
The colours are due to the interference between light waves reflected from the top and bottom surfaces of the thin (soap) films. In other words, when white light is incident on the thin film, the film appears coloured and the colour depends upon the thickness of the film and also the angle of incidence of the light.
Daylight's colour temperature is approx. 6000 degrees Kelvin, whereas tungsten light tends to be around 3200 degrees K. In other words, much redder. This can be compensated for by using Tungsten-balanced colour film, or the appropriate compensation filter for film, or your white balance for digital cameras
Initially in 1960 this was a partly colour film; length wise 85% black & white and 15% coloured. In 2004 this was technically redeveloped as complete colour film.
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Photographic film is by it's very definition sensitive to light. Different types of film is sensitive to different colour spectrum The first types of film had a very limited sensitivity to colours and only reacted to blue light. As technology progressed film was made sensitive to a wider spectrum of light.Orthochromatic film was (is) sensitive to colours from blue to green, thus not sensitive to red light hence not affected by a "red light" during development.This film type was, however, superseded by "Panchromatic" film that is sensitive to all light spectrum, including red light. This means that most (modern) film cannot be developed using a red darkroom light without permanently destroying the film.Copying images (to paper or plastic sheets) is a different matter as the light sensitive emulsion on copy-paper is notsensitive to red light which is why a red light can safely be used during copying and development of the copies.
(delicate question with some gross factor)...it just means the blood is older.
The Light - film - was created in 2004.
Wow, surprised this hasn't been answered. The answer is defiantly not. Colour film has a much lower latitude. Off the top of my head (trying to remember back) slide colour only has a latitude of about 3 stops (depending on film). That is what gives it that great colour contrast for fashion and commercial photos but difficult exposures. Colour print film is about 4-5 stops (depending on film). Black and white depends on the film but I recall 9 stops being possible. I've pushed B&W film 6 stops and it was still quite usable. I've pushed colour film 3 stops and it was mediocre, however, it was a low end film.
Let There Be Light - film - was created in 1946.