They were used to it. Shakespeare built on a tradition of tragedies, and his audience would have been familiar with the most popular Elizabethan play of all, Thomas Kyd's The Spanish Tragedy, which featured a man being murdered onstage in the presence of his lover, a man being hanged while convinced to the last second that he has been pardoned, a stage play in which some of the actors are really murdered and one really commits suicide (in front of their parents), and finally a man who bites out his own tongue and spits it on the stage. Other playwrights wrote similarly juicy revenge tragedies. At the same time anyone who had been to grammar school had read the extremely gory and violent tragedies of the Roman playwright Seneca, and there were contemporaries of Shakespeare who imitated the Senecan style, Ben Jonson for one. Besides, the realities of violence were well known to the audience. It was a rough time, and people did not whitewash the facts of life.
Elizabethan tragedies were modeled on classical Greek and Roman tragedies, such as those by Seneca. These plays often featured themes of fate, revenge, and the downfall of a tragic hero. Shakespeare was heavily influenced by these classical works when writing his own tragedies.
The Greek heroes in Elizabethan tragedies were from the historical era. In the Greek tragedies they were from the pre-historical era.
Greek and Elizabethan tragedies differ primarily in their structure and thematic focus. Greek tragedies often adhere to a strict three-unity structure (time, place, and action) and emphasize fate and the gods' influence on human lives. In contrast, Elizabethan tragedies, like those written by Shakespeare, allow for more flexible narrative structures and often explore complex human emotions and individual agency. Additionally, Elizabethan tragedies frequently incorporate subplots and comic elements, which are less common in Greek works.
MacBeth, Hamlet, Romeo and Juliet, and Antony and Cleopatra are some of Shakespeare's tragedies.
Michael E. Mooney has written: 'Shakespeare's dramatic transactions' -- subject(s): Dramatic production, History, Theater audiences, Tragedies
Yes, flags were used to advertise Shakespeare's plays during the Elizabethan era. The Globe Theatre, where many of his works were performed, would raise colored flags to indicate the type of play being shown that day—black for tragedies, white for comedies, and red for histories. This system allowed audiences to quickly identify what kind of performance to expect, serving as an early form of advertising for the shows.
Type your answerC.Elizabethan heroes were not always of noble birth.here...
The revenge tragedy was created in the time of Shakespeare, at that time most people liked tragedies or revenge plays, somebody combined them to attract audiences to a new type of play.
They were used to it. Shakespeare built on a tradition of tragedies, and his audience would have been familiar with the most popular Elizabethan play of all, Thomas Kyd's The Spanish Tragedy, which featured a man being murdered onstage in the presence of his lover, a man being hanged while convinced to the last second that he has been pardoned, a stage play in which some of the actors are really murdered and one really commits suicide (in front of their parents), and finally a man who bites out his own tongue and spits it on the stage. Other playwrights wrote similarly juicy revenge tragedies. At the same time anyone who had been to grammar school had read the extremely gory and violent tragedies of the Roman playwright Seneca, and there were contemporaries of Shakespeare who imitated the Senecan style, Ben Jonson for one. Besides, the realities of violence were well known to the audience. It was a rough time, and people did not whitewash the facts of life.
In Elizabethan theater, Shakespeare served as a playwright, creating a wide range of plays that included tragedies, comedies, and histories. He was also an actor, performing in many of his own works and those of others. Additionally, he was a shareholder in the Globe Theatre, which meant he had a financial stake in the success of the productions, influencing both the artistic and business aspects of the theater.
Shakespeare added a comic element to his tragedies.
Shakespeare wrote comedies, tragedies, histories, and tragicomedies.