They were used to it. Shakespeare built on a tradition of tragedies, and his audience would have been familiar with the most popular Elizabethan play of all, Thomas Kyd's The Spanish Tragedy, which featured a man being murdered onstage in the presence of his lover, a man being hanged while convinced to the last second that he has been pardoned, a stage play in which some of the actors are really murdered and one really commits suicide (in front of their parents), and finally a man who bites out his own tongue and spits it on the stage. Other playwrights wrote similarly juicy revenge tragedies. At the same time anyone who had been to grammar school had read the extremely gory and violent tragedies of the Roman playwright Seneca, and there were contemporaries of Shakespeare who imitated the Senecan style, Ben Jonson for one. Besides, the realities of violence were well known to the audience. It was a rough time, and people did not whitewash the facts of life.
The audience
badly init
The audience's role in any kind of theatre is to hear and see the play.
Greek and Elizabethan tragedies share common themes such as the exploration of human suffering, conflict, and moral dilemmas. Both often feature protagonists with tragic flaws, leading to their downfall and evoking pity and fear in the audience. Additionally, they frequently incorporate elements of fate versus free will, highlighting the struggle between personal choices and predetermined outcomes. Lastly, both forms emphasize the importance of catharsis, allowing audiences to experience emotional release through the characters' journeys.
... and justice for all
Audience in the elizabethan era
They were used to it. Shakespeare built on a tradition of tragedies, and his audience would have been familiar with the most popular Elizabethan play of all, Thomas Kyd's The Spanish Tragedy, which featured a man being murdered onstage in the presence of his lover, a man being hanged while convinced to the last second that he has been pardoned, a stage play in which some of the actors are really murdered and one really commits suicide (in front of their parents), and finally a man who bites out his own tongue and spits it on the stage. Other playwrights wrote similarly juicy revenge tragedies. At the same time anyone who had been to grammar school had read the extremely gory and violent tragedies of the Roman playwright Seneca, and there were contemporaries of Shakespeare who imitated the Senecan style, Ben Jonson for one. Besides, the realities of violence were well known to the audience. It was a rough time, and people did not whitewash the facts of life.
The audience
The theater production showcased a series of ancient Greek tragedies that left the audience in tears.
Quite rowdy
because there was hot action.
badly init
The audience's role in any kind of theatre is to hear and see the play.
... and justice for all
Greek and Elizabethan tragedies share common themes such as the exploration of human suffering, conflict, and moral dilemmas. Both often feature protagonists with tragic flaws, leading to their downfall and evoking pity and fear in the audience. Additionally, they frequently incorporate elements of fate versus free will, highlighting the struggle between personal choices and predetermined outcomes. Lastly, both forms emphasize the importance of catharsis, allowing audiences to experience emotional release through the characters' journeys.
If you are terrified, you have very strong feelings of fear. If you are horrified, you might have fear, but you typically would have feelings of shock and revulsion. A person might be terrified of sharks, but horrified at a brutal murder. Other examples include being terrified about speaking in front of an audience or horrified at a child's behavior.
The tragedies give differing versions of the legendary past of Greece with a moral angle. The satyr plays were filthy performances after the trio of tragedies, designed to clear the audience's minds of the tragedies, and the comedies were funny and libellous farces designed to send the audience home happy after a hard day at the theatre.