Yes, so the plaster will need some type of water-proof coating.
If you are carving something from a plaster block, moulding something out of plaster, or even using a pre-made plaster object, the only way it will not slowly dissolve in the water of the snow globe, is to make sure it is totally covered in some type of water-proof finish. I'd use a minimum of 2 coats to make sure. If there is even a small break in the finish for the distilled water to get under, your finish will begin to peel and the plaster will break down there.
The wire that lights up inside the globe is the filament.
The outside of the original Globe Theatre looked very much like Sam Wanamaker's modern Globe theatre in Southwark. We don't know what the original Globe looked like inside. (The inside of the modern Globe is copied from some drawings we have of the inside of the Star - a slightly less famous Jacobean theatre).
A theatre
they aren't on the globe but inside the earth...... just kidding guys !
1500 people fit in the Globe Theater.
Based on the modern reconstruction, the exterior is rough plaster and rough wood, hard to the touch. The wood on the inside is more worn, and the benches and seats are smooth. The pit where the groundlings stand is floored with broken nut shells and so is crunchy to walk on.
you buy it at the port
pay for it!
Because it is a French company which is spreading across the globe.
It's a theatre. No agriculture goes on there. Perhaps you meant "framing"? The Globe was timbered with Tudor half-timbering. The reconstructed Globe used oak beams and filled with a plaster which would have been used in the reign of Elizabeth.
The Globe Theatre, which was only partly owned by Shakespeare by the way, was built on a wooden frame and the walls made of lath and plaster. The first Globe, built in 1599, had a thatched roof (made of dried reeds). The second Globe, built in 1614, had a tile roof.
While no one has sketched the Globe Theatre or described its structure, the structure of other Elizabethan amphitheatres gives a fair enough indication of the materials and structure of The Globe. It was most probably made of timber, sawed and nailed with iron nails. Flint would have been used where stonework was necessary. Plaster would have been used to fill gaps in the woodwork, although it is unlikely that there would have been any decorative use of plaster. Roofs of the top galleries would have been thatched, later replaced by tiles.