The bar has 28mm grip and 1,250 lb. tensile strength.
The grip is about 2 inches apart on each black Olympic bar which can extend when needed.
each arm is equipped with two rows of ,deeply set suckers that give a powerful grip.
the "key Grip" handles lighting, shadows, all sorts of camera mounts, dolly tracks, and such, also often the key grip is the main safety guy on the set.
Like a foreman, the key grip directs a crew of grips, some with specialized skills such as dolly grips, crane operators, camera car operators, etc. the key grip is often the safety monitor of the film set, responsible for safety of all personnel.
It's called the Vulcan Death Grip. He is able to target a particular set of nerves in the neck that cause blackout. However, it's fictitious, as far as I know.
A gaffer works exclusively with lightening set ups and delivering electricity to lights. A grip works more with the camera department (such as operating cranes and dollies)
Yes because the longer your finger is the more grip you have
what are numbers that are far from a data set
A best boy is the first assistant (male or female) to either the key grip or the gaffer. That is, he or she helps get a set ready for filming by moving items into place or helping with the lighting setup. For a good explanation of grip, gaffer, and best boy, see Wikipedia's entry "Film crew" (link below is for "grip" etc.).
far far away
because ur hand wont beable to grip the ball
It all depends on how far you are back in the batters box. If the pitcher is maybe 45 miles per hour then yes grip it tight it makes you swing more level. If the pitcher is 10 miles per hour it does not really matter how you grip it.