First, I didn't really get the question............but I just wanted to point out that the painting is based on Christianity and Mythology.....not a Christian Myth.
The painting depicts the Roman Myth of Venus arising from the sea after she is formed by the foam created by her father's balls being thrown into the sea.
The Christian perspective shows the story as a parallel to Baptism(sometimes even compared to Jesus' Baptism).
If you need more information, visit the website "Botticelli's Use of Neoplatonism"(I will include the URL in the related links)
Sandro Botticelli was a prominent figure of the Early Renaissance and is best known for his contributions to the Florentine school of painting. His work is characterized by its lyrical beauty, mythological themes, and intricate detailing, often reflecting the ideals of humanism. Botticelli's most famous pieces, like "The Birth of Venus" and "Primavera," exemplify the blend of classical mythology and Christian symbolism typical of the period. His style is often associated with a graceful and linear aesthetic that stands out in the history of Western art.
It was Christian religious themes.
"The Last Supper" and the "Mona Lisa," both masterpieces by Leonardo da Vinci, are widely considered influential due to their innovative techniques and profound emotional depth. "The Last Supper" showcases groundbreaking composition and perspective, capturing a pivotal moment in Christian narrative. Meanwhile, the "Mona Lisa" is celebrated for its enigmatic expression and pioneering use of sfumato, which enhances realism and psychological complexity. Together, these works epitomize the Renaissance ideals of humanism, perspective, and the exploration of individual emotion.
The art of the Italian and Northern Renaissance shared similar qualities, but also had its differences. As the Italian Renaissance focused more on a rebirth of classic Greco-Roman culture, the art of the time was based off of classical mythology and included famous classic philosophers. In Raphael's School of Athens, Aristotle and Plato are featured in the center of the school. On the contrary, the Northern Renaissance art was characterized by domestic interiors and portraits. Northern Renaissance artists, starting with Jan Van Eyck, began to use different mediums, such as oil paint, to create the art of the movement. The two different eras share a commonality in art through religious themes throughout the art. Christian religious stories and figures were the predominant artistic theme in both times.
"The Young Martyr (A Christian Martyr Drowned in the Tiber at the Time of Diocletian)" by Paul Delaroche, French 1797-1856
During the Renaissance Botticelli combined medieval allergory with classical mythology. The famous artist Raphael, from the same time period, also made use of the classical mythology combined with Christian traditions in his work.
Religious themes were by far the most popular theme during the Renaissance. So, the work of pretty much all Renaissance artist used religious themes in their work. But to get you started, I'll say: Giotto, Fra Filippo Lippi (father), Filippino Lippi (son), Fra Angelico, Donatello, Verrocchio, Leonardo da Vinci, Michelangelo, Botticelli, etc.
The Florentine painter who initially fused Christian faith with pagan mythology is Sandro Botticelli. His early works, such as "The Birth of Venus" and "Primavera," showcase this blend of themes. However, later in his career, Botticelli shifted to creating works that were more explicitly aligned with the Church's teachings, such as "The Mystical Nativity." This transition reflects the changing attitudes of the Renaissance and his response to religious reforms.
Sandro Botticelli was a prominent figure of the Early Renaissance and is best known for his contributions to the Florentine school of painting. His work is characterized by its lyrical beauty, mythological themes, and intricate detailing, often reflecting the ideals of humanism. Botticelli's most famous pieces, like "The Birth of Venus" and "Primavera," exemplify the blend of classical mythology and Christian symbolism typical of the period. His style is often associated with a graceful and linear aesthetic that stands out in the history of Western art.
Strong Christian influence
Federico Zeri has written: 'Pittura e controriforma' 'Le mythe visuel de l'Italie' 'Federico Zeri' -- subject(s): Art, European, Christian art and symbolism, European Art, Italian Painting, Painting, Italian, Painting, Renaissance, Renaissance Painting, Written works 'Orto aperto' -- subject(s): Art, Conservation and restoration 'Firenze' -- subject(s): Art, Italian, Art, Renaissance, Italian Art, Pictorial works, Renaissance Art 'Botticelli, Allegory of spring' 'Raphael, School of Athens'
Christian Biot has written: 'Mourir vivant' -- subject(s): Death, Psychological aspects, Psychological aspects of Terminally ill, Terminally ill
chathlic/christian
Benedikt Bauer has written: 'Geistliche Vaterschaft' -- subject(s): Fatherhood (Christian theology), History of doctrines, Psychological aspects, Psychological aspects of Fatherhood (Christian theology)
subject matter limited to Christian themes
If you mean traditional Roman Polytheism then no, Europe was entirely Christian by the renaissance, if you mean Roman Catholicism then yes.
The Northern Renaissance is still based on Christian values, which leads to the rise of Christian Humanists.Northern Renaissance was not different. Northern Renaissance was just like Italian.