The use of perspective, linear and atmospheric, create the illusion of depth. As objects recede into the background they appear 'more blue' and have less detail. This technique can be seen in the background of the 'Mona Lisa'.
All artists study (or are at least familiar with) the works of Leonardo. Some may study him more in depth than others but, it can be said that because Leonardo has had such a great impact in the world of western art that he has influenced all western artists to a certain degree. Albeit, some more than others.
Leonardo's paintings show perspective, i.e. they let us perceive depth like a photo. This is something known to artists since early 15th century. Leonardo mastered this technique as well as many of his colleagues but no more than other good painters.
Ornamentation or embellishment on objects was not used. A thing stood for itself.
It looks that way because there are several layers. Art experts have found another,painting under the one we see. This was very common for the time because canvases were expensive and the artists reused them. Da Vinci carried this painting with him and had it when he died in the French court.
Leonardo da Vinci is renowned for using both sfumato and chiaroscuro in his paintings. Sfumato, characterized by soft transitions between colors and tones, creates a smoky effect, while chiaroscuro involves strong contrasts between light and shadow to add depth. Da Vinci employed these techniques masterfully in works like the "Mona Lisa" and "The Virgin of the Rocks," enhancing the realism and emotional depth of his subjects.
All artists study (or are at least familiar with) the works of Leonardo. Some may study him more in depth than others but, it can be said that because Leonardo has had such a great impact in the world of western art that he has influenced all western artists to a certain degree. Albeit, some more than others.
The technique of perspective wasn't used in art before the Renaissance because artists did not have a systematic way to represent depth and spatial relationships accurately. It was only during the Renaissance that artists like Filippo Brunelleschi and Leonardo da Vinci developed the mathematical principles of perspective, allowing artists to create more realistic and lifelike representations of space on a two-dimensional surface.
It is called perspective.
The technique is called chiaroscuro. It utilizes contrasting light and shadow to create a sense of three-dimensional volume and depth in a two-dimensional artwork. This technique was popularized during the Renaissance by artists such as Leonardo da Vinci and Caravaggio.
Aerial perspective.
Artists didn't need to use perspective or create the illusion of depth.
Artists use techniques such as linear perspective, where parallel lines converge at a vanishing point on the horizon to create depth, making objects appear smaller as they recede into the distance. Other methods include atmospheric perspective, which involves using color and clarity to suggest distance, with distant objects appearing lighter and less detailed. Additionally, artists may employ overlapping and varying scale to enhance the illusion of depth in their compositions.
Depth.
Leonardo's paintings show perspective, i.e. they let us perceive depth like a photo. This is something known to artists since early 15th century. Leonardo mastered this technique as well as many of his colleagues but no more than other good painters.
Ornamentation or embellishment on objects was not used. A thing stood for itself.
The ability to show the power and importance of the main subject
By using different shading techniques such as chiaroscuro