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it was really bad.
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∙ 12y ago
Wiki User
∙ 12y agoone likes to eat poo
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Did Mozart teach?
Yes, though I'm not sure who. However, I base this on the movie Amadeus...true or not?
How old wasWolfgang Amadeus Mozart when he died?
Mozart died when he was 35 years of age. He was supposedly a child prodigy, and he fufilled the prophecy of young prodigies falling to their death young. Hope this helps...too bad for Mozart. ;)
What is the relationship between a diet high in saturated fat and heart disease?
A diet in High saturated fat means there is more cholesterol in your blood, this is deposited throughout your veins/arteries and will decrease the diameter of them, meaning less blood can pass through and at a higher pressure. This is all detrimental to your heart and the functioning. Leading to Heart attacks, stroke, and failure of the organ.
Flaps of connective tissue called valves are located between the atria and the ventricles?
TRUE
When seismic waves interact with boundaries between different kinds of rock within earth they can be refracted?
Yes. You are true.
Did Beethoven have any enemies?
Yes.... It's true that the Archbishop of Salzburg strongly despised Mozart and constantly mistreated him. Mozart hated him right back - so he got sacked from the court in 1781, and was literally given a kick. Mozart then moved to Vienna, where he stayed there for the rest of his life - and he avoided Salzburg like the plague. Thanks to the movie Amadeus, many people these days think Mozart's enemy was Antonio Salieri. To put the facts straight, Salieri and Mozart were rivals - but at the same time were good friends. Salieri did help him with a few projects, but he didn't help him finish the Requiem.
What does Mozart think of salieri music?
There is no reason to believe that either of them hated each other. They actually were rather friendly towards each other considering that they were professional rivals. I think that Salieri hated Mozart so much for many reasons. First of all Salieri thought that it was ridiculous for Mozart to have so much talent for Mozart was flamboyant and reckless and never have to work hard for it. Meanwhile Salieri had to work for what he had by doing stuff like giving up his temptation toward women. Mozart had a father who supported and encouraged him and taught him everything he knows while Salieri's father thought that music was a waste of time and discouraged him, so Salieri had learn how to play the piano by himself. Salieri hated Mozart because was not as good and realized he would never be. He wanted for the musical prodigy to be dead and for him to be the one everyone loved and envied
What is the message in the movie Amadeus?
The story begins in 1823 as the elderly Salieri attempts suicide by slitting his throat while loudly begging forgiveness for having killed Mozart in 1791. Placed in a lunatic asylum for the act, Salieri is visited by a young priest who seeks to take his confession. Salieri is sullen and uninterested but eventually warms to the priest and launches into a long "confession" about his relationship with Mozart.Salieri's tale goes on through the night and into the next day. He reminisces about his youth, particularly about his devotion to God and his love for music and how he pledges to God to remain celibate as a sacrifice if he can somehow devote his life to music. He describes how his father's plans for him were to go into commerce, but suggests that the sudden death of his father, who choked to death during a meal, was "a miracle" that allowed him to pursue a career in music. In his narrative, he is suddenly an adult joining the 18th century cultural elite in Vienna, the "city of musicians." Salieri begins his career as a devout, God-fearing man who believes his success and talent as a composer are God's rewards for his piety. He is content as the court composer for Holy Roman Emperor Joseph II.Mozart arrives in Vienna with his patron, Count Hieronymus von Colloredo, the Prince-Archbishop of Salzburg. Salieri secretly observes Mozart at the Archbishop's palace, but they are not properly introduced. Salieri sees that offstage, Mozart is irreverent and lewd. He also first recognizes the immense talent displayed in the adult works of Mozart. In 1781, when Mozart meets the Emperor, Salieri presents Mozart with a "March of Welcome," which he toiled to create. After hearing the march only once, Mozart plays it from memory, critiques it, and effortlessly improvises a variation, transforming Salieri's "trifle" into the "Non più andrai" march from his 1786 opera The Marriage of Figaro.Salieri reels at the notion of God speaking through the childish, petulant Mozart: nevertheless, he regards his music as miraculous. Gradually, Salieri's faith is shaken. He believes that God, through Mozart's genius, is cruelly laughing at Salieri's own musical mediocrity. Salieri's struggles with God are intercut with scenes showing Mozart's own trials and tribulations with life in Vienna: pride at the initial reception of his music; anger and disbelief over his subsequent treatment by the Italians of the Emperor's court; happiness with his wife Constanze and his son Karl; and grief at the death of his father Leopold. Mozart becomes more desperate as the family's expenses increase and his commissions decrease. When Salieri learns of Mozart's financial straits, he sees his chance to avenge himself, using "God's Beloved" (the literal meaning of "Amadeus") as the instrument.Salieri hatches a complex plot to gain ultimate victory over Mozart and God. He disguises himself in a mask and costume similar to one he saw Leopold wear at a party, and commissions Mozart to write a requiem mass, giving him a down payment and the promise of an enormous sum upon completion. Mozart begins to write the piece, the Requiem Mass in D minor, unaware of the true identity of his mysterious patron and oblivious of his murderous intentions. Glossing over any details of how he might commit the murder, Salieri dwells on the anticipation of the admiration of his peers and the court, when they applaud the magnificent Requiem, and he claims to be the music's composer. Only Salieri and God would know the truth-that Mozart wrote his own requiem mass, and that God could only watch while Salieri finally receives the fame and renown he deserves.Mozart's financial situation worsens and the composing demands of the Requiem and The Magic Flute drive him to the point of exhaustion as he alternates work between the two pieces. Constanze leaves him and takes their son with her. His health worsens and he collapses during the premiere performance of The Magic Flute. Salieri takes the stricken Mozart home and convinces him to work on the Requiem. Mozart dictates while Salieri transcribes throughout the night. When Constanze returns in the morning, she tells Salieri to leave. Constanze locks the manuscript away despite Salieri's objections, but as she goes to wake her husband, Mozart is dead. The Requiem is left unfinished, and Salieri is left powerless as Mozart's body is hauled out of Vienna for burial in a pauper's mass grave.The film ends as Salieri finishes recounting his story to the visibly shaken young priest. Salieri concludes that God killed Mozart rather than allow Salieri to share in even an ounce of his glory, and that he is consigned to be the "patron saint of mediocrity." Salieri absolves the priest of his own mediocrity and blesses his fellow patients as he is taken away in his wheelchair. The last sound heard before the credits roll is Mozart's high-pitched laughter.
How does the film 'Amadeus' represent manners and customs toward the court of the 18th century?
The film paints a fairly accurate picture of court manners. Emperor Joseph by the standards of that era was a fairly easy-going man (besides being known as a music lover) and in the movie is treated with the respect and deference that he also would have gotten in real life. Some scenes - like the one in which Mozart gives a parody of Salieri's playing - make court life a bit (but just a bit) more boisterous than it really was, even without the Emperor being present. The only thing not true is the suggestion that Salieri hated Mozart. It is a documented fact that he on the contrary in reality much admired Mozart's work. And Mozart in real life never parodied or ridiculed Salieri's work.
Was Mozart been murdered?
The Court Composer to the Emperor of Austria, Antonio Salieri. Pushkin wrote a play in 1831 suggesting Salieri murdered Mozart out of envy; the play was set as an opera in 1898 by Rimsky-Korsakov, and in 1979 the English playwrite, Sir Peter Schaffer wrote a fictional story following on from Pushkin. Schaffer's award-winning play became an Oscar-winning film, Amadeus, in 1984. It's a very convincing tale, but it is fiction.
An owning relationship is a primary relationship between a SMO and an individual?
True
Legal contracts guide the relationship between artists and record labels?
True
What is the Relationship between hormones and tropism?
that is true
Is the owning relationship a primary relationship between a SMO and an individuals person category?
true
Is the Owning Relationship Is A Primary Relationship Between a SMO and An Individual's Person Category?
true
Is an Owning relationship a primary relationship between a SMO and an individual's Person Category?
true
Is An Owning relationship is a primary relationship between a SMO and an individual's Person Category.?
true
