The painting by Rembrandt that was refused after commission is "The Night Watch" (1642). Originally titled "The Militia Company of Frans Banning Cocq," it was commissioned by the Amsterdam militia but faced criticism for its unconventional composition and portrayal of the subjects. The rejection stemmed from the expectations of the time for formal group portraits, which Rembrandt subverted through his dynamic use of light and movement. Despite the initial refusal, "The Night Watch" is now celebrated as one of his masterpieces.
No he did not.
Can't really say for sure, but I believe it was between 1646 and 1649, when Rembrandt was still painting portrait of clients in his house on the Breestraat, quit a few years before he lost his house in bankruptcy court. Rembrandt loved that monkey, including his son Titus and his mistress Hendrickje also like that monkey. Rembrandt had included that monkey in at least four painting that I know of personally. One of them was mentioned by Holbreaken, a Rembrandt historian who stated it was a known fact Rembrandt painted his dead monkey into a unfinished work of a family portrait. An earlier biographers, Filippo Baldinucci, who based his writings on the testimony of one of Rembrandt's pupils also said something to this effect. It was refused by of the head of the house hold who jump around the painting before Rembrandt was able to cover it up. Rembrandt refused to remove it because of liking its effect, and then proceeded to threw the family out of his house, and was said to have left the painting unfinished.You can copy this link below and paste in your browser if you care to see Rembrandt's painting of his dead monkey in this supposed only family portrait of his. Sorry if links are not permitted,... for I'm sure it will be omitted if they are not.Another answer:You may be interested to know that the person who wrote the above answer is the same who asked the question. This to be able to tell the story above, which is not believed by all.
About 1629.
Oil paint on canvas. The Metropolitan Museum now classifies this painting as 'Style of Rembrandt'.
Rembrandt's painting 'The Raising of the Cross' is housed in the collection of the Alte Pinakothek museum in Munich, Germany. Completed in 1633, this large-scale work depicts the moment of Christ's crucifixion, showcasing Rembrandt's masterful use of light and shadow. The painting is considered one of his notable contributions to Baroque art.
Danaë - Rembrandt painting - was created in 1636.
Does not sound like Rembrandt painting.
No he did not.
Just painting and etching.
Can't really say for sure, but I believe it was between 1646 and 1649, when Rembrandt was still painting portrait of clients in his house on the Breestraat, quit a few years before he lost his house in bankruptcy court. Rembrandt loved that monkey, including his son Titus and his mistress Hendrickje also like that monkey. Rembrandt had included that monkey in at least four painting that I know of personally. One of them was mentioned by Holbreaken, a Rembrandt historian who stated it was a known fact Rembrandt painted his dead monkey into a unfinished work of a family portrait. An earlier biographers, Filippo Baldinucci, who based his writings on the testimony of one of Rembrandt's pupils also said something to this effect. It was refused by of the head of the house hold who jump around the painting before Rembrandt was able to cover it up. Rembrandt refused to remove it because of liking its effect, and then proceeded to threw the family out of his house, and was said to have left the painting unfinished.You can copy this link below and paste in your browser if you care to see Rembrandt's painting of his dead monkey in this supposed only family portrait of his. Sorry if links are not permitted,... for I'm sure it will be omitted if they are not.Another answer:You may be interested to know that the person who wrote the above answer is the same who asked the question. This to be able to tell the story above, which is not believed by all.
About 1629.
Oil paint on canvas. The Metropolitan Museum now classifies this painting as 'Style of Rembrandt'.
It is not possible to compare music and painting.
About 1624, counting the ones existing today.
J. M. Nash has written: 'The age of Rembrandt and Vermeer; Dutch painting in the seventeenth century' -- subject(s): Dutch Painting, Modern Painting 'The age of Rembrandt and Vermeer' -- subject(s): Dutch Painting
it was a commission
The painting is in The Hermitage Museum in Saint Petersburg.