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Wiesel points out the countryside outside the train to emphasize the contrast between the normalcy of nature and the Horror of their situation in the train. It serves as a poignant reminder of the beauty and freedom they are being deprived of, highlighting the sense of loss and despair experienced during the Holocaust.

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Why did Wiesel point out the countryside outside the train?

Elie Wiesel highlighted the countryside outside the train to contrast the beauty of nature with the atrocities and horrors they were experiencing during their journey to the concentration camps. It served as a stark reminder of the loss of innocence and the brutal reality of their situation. Additionally, it emphasized the sense of disconnection and isolation the prisoners felt from the outside world.


Where is Wiesel at the beginning of the excerpt in Night by Elie Wiesel?

At the beginning of the excerpt in "Night" by Elie Wiesel, Wiesel is in a train car with other Jews being transported to the Auschwitz concentration camp.


When did Wiesel say the travels left their illusions behind?

It was when they left the train at Birkenau. They left their cherished objects and illusions behind on the train.


What did Madame Scatter's say she seen on the train in night by Ellie Wiesel?

the lady with the black hat


What can passengers see from a moving train?

We can see buildings, other trains, countryside, mountains and much more from a moving train depending on where you are.


How did people travel in the evacuation of world war 2?

By foot to the nearest bus or train station, where they would then get on a bus or train to be evacuated into the countryside.


A passenger walks toward the rear of a moving train Describe her motion as seen from a reference point on the train Then describe it from a reference point on the ground?

If the train is moving at 50 mph and the passenger is walking at 2 mph, people on the train would see her moving at 2 mph, while people outside the train would see her moving at 48 mph. 50mph - 2 mph = 48 mph


Why were children evacuated in World War 2 again?

Most children were evacuated to the countryside via Train.


Who did Elie Wiesel get to train in the cabala?

By most accounts, Elie Wiesel began to study Kaballah when he was 12 years old. Mr. Wiesel has said he was influenced by his maternal grandfather, who was deeply involved in Hasidism; he was also taught about the Jewish mystical tradition by a man named Moshe, a caretaker at the synagogue the Wiesel family attended in the town of Sighet, Rumania. Even years later, after he had survived the Holocaust, and gone on to study Philosophy at the Sorbonne in Paris, Mr. Wiesel remained fascinated by Jewish mysticism, and it became a prominent influence on his writings.


Is it safe to ride on the outside of a train?

No


Describe your motion as seen from a reference point on the train then describe it from a reference point on the ground?

If you are *not* dealing with special relativity and its effects, then the answer becomes far more simple. If you are not moving and are standing on the ground, then you see a train moving past you a fast speed. In this case, the reference "frame" (not necessarily a point) is you and the object being described is the train. If you flipped the roles, then it would be someone on the train watching you as the train moves. However, since it is from the train's perspective, it does not appear that the train is moving, but rather that you are moving away from the train, along with the rest of the world that passes the train by. This is described as the train being the reference frame and you would be the object described by the train. This is, again, just Galilean relativity. Special relativity puts a few twists on it and has some additional effects.


What was the condition in the train at the end of chapter 1 in Elie Wiesel's Night?

At the end of Chapter 1 in Elie Wiesel's Night, the conditions on the train were crowded, hot, and unbearable. The passengers were packed tightly together without food, water, or adequate air, leading to a sense of suffocation and desperation.