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The meaning of CHIEMEKA of Western African origin is "God has performed great deeds" in Igbo and it is a male name.
There is not a single writing telling who his parents were and there is nothing legendary about the life of Nicolas Flamel. The Bibliotheque Nationale in Paris contains works copied in his own hand and original works written by him. All the official documents relating to his life have been found: his marriage contract, his deeds of gift, his will. His history rests solidly on those substantial material proofs for which men clamor if they are to believe in obvious things. To this indisputably authentic history, legend has added a few flowers. But in every spot where the flowers of legend grow, underneath there is the solid earth of truth.
Certified emission rates are a limit on the amount of emissions a company can release into the atmosphere within a given time frame. It is a cap on the emissions itself.Carbon credits looks more at the net carbon emissions. There are companies that plant trees, which reduce the amount of carbon in the air. For their good deeds, they get carbon credits, which they sell to companies that emit carbon. The carbon credits work to offset the actual amount of emissions a company puts out.Note that carbon credits cancel out the emissions, but don't lower emissions at all, unlike a cap on emission rates.
1) Plot centers around a Hero of Unbelievable Stature. The epic hero completes what everyone only attempts. In ancient epics, the hero often is either partially divine or at least protected by a god or God.2) Involves deeds of superhuman strength and valor. Accomplish feats no real human could.3) Vast Setting. The action spans not only geographical but also often cosmological space: across land, sea, into the underworld, or thru space or time etc.4) Involves supernatural and-or otherworldly forces. Gods, demons, angels, time/space travel, cheating death etc.5) Sustained elevation of style. Overwritten. Overly formal, highly stylized (poetry, lyricism (singing), exaggeration)6) Poet remains objective and omniscient. The narrator sees and knows all and presents all perspectives.
Nicolas Flamel was a successful French scrivener and manuscript-seller. After his death Flamel developed a reputation as an alchemist. However, these legendary accounts only appeared in the seventeenth century. Most of the books that you could read about him are fiction. The historical Flamel lived in Paris in the fourteenth and fifteenth century and his life is one of the best documented in the history of medieval alchemy. He ran two shops as a scribe and married Perenelle in 1368. She brought the wealth of two previous husbands to the marriage. The French Catholic couple owned several properties, and contributed financially to churches, sometimes by commissioning sculptures. Later in life they were noted for their wealth and philanthropy. There is nothing legendary about the life of Nicolas Flamel. The Bibliotheque Nationale in Paris contains works copied in his own hand and original works written by him. All the official documents relating to his life have been found: his marriage contract, his deeds of gift, his will. His history rests solidly on those substantial material proofs for which men clamor if they are to believe in obvious things. To this indisputably authentic history, legend has added a few flowers. But in every spot where the flowers of legend grow, underneath there is the solid earth of truth.
go read the book
Everyman was accompanied by Good Deeds into his grave. Good Deeds was the only companion that would stay with Everyman during his journey towards judgment.
Good Deeds
Here the main characters are Everyman,Good deeds and knowledge
The two characters that remain by Everyman until the very end are Knowledge and Good Deeds. Knowledge helps Everyman understand the gravity of his journey, while Good Deeds stay with him as his companion to face judgment.
Everyman should take along the book of his deeds on his journey, as it will be a record of all his actions and will determine his judgment in the afterlife according to the medieval morality play "Everyman."
In the medieval morality play "Everyman," the account book symbolizes the record of Everyman's deeds and actions throughout his life. It serves as a metaphor for the final judgment that Everyman will face upon his death, where his good and bad deeds will be weighed to determine his fate in the afterlife. The account book represents the idea that one must be accountable for their actions and strive to lead a righteous life.
The character who speaks last in the medieval play "Everyman" is Knowledge. Knowledge delivers the final speech, emphasizing the moral that only good deeds accompany Everyman into the afterlife.
The central theme to the medieval morality play Everymanis that on the final journey on the road of life, all companions of Everyman forsake him and only Good Deeds avail at the final judgment.In the beginning of the play God is upset with Everyman for embracing the seven deadly sins, so he calls for Death to seek out and punish every man who has sinned.When faced with this accosting, Everyman begs for company on the journey to the grave and Death allows Everyman to bring any companions who would be willing to go.Everyman then seeks out Fellowship, Kindred, and Goods, however, all three refuse to make the dangerous voyage to the grave with him.When Everyman calls upon Good Deeds, he answers weakly, for he is tied down by Ropes of Sin and is unable to help. Everyman then seeks out Good Deeds' sister, Knowledge, who leads Everyman to Confession. Confession then frees Good Deeds from Ropes of Sin and the three journey together to the grave.Other companions such as Strength, Beauty, and the Five Wits join the three on the road of life, however only Good Deeds is able to enter darkness with Everyman at the end.
God sends Death to summon Everyman to come to him and make his reckoning or account of his life. Death delivers his message. Everyman asks Fellowship, Kinsfolk and his Worldly Goods to accompany him on the journey and they all say no. Good Deeds agrees to accompany Everyman in his journey. However, he must first be freed from sin. Good Deeds sends his sister Knowledge to guide Everyman. With her help, he finds confession and penance and the companions Wisdom, Strength, Beauty and the Five Senses who free Good Deeds. Everyman reaches the grave, through which he must pass on his journey to make his reckoning to God. At the grave, Beauty, Strength, the Five Senses, Wisdom and finally Knowledge all abandon him. But his Good Deeds accompany him to his judgment before God.
In the play "Everyman," the theme of morality and the journey to salvation is closely linked to the character of Everyman. Everyman's encounters with various characters such as Death and Knowledge serve to explore the theme of the nature of humanity and the importance of leading a virtuous life. The character of Everyman embodies the universal experience of grappling with mortality and the search for spiritual fulfillment.
They believed they were saved by their good deeds rather than Christ. As such, they were therefore Christian in name only.