9 Characteristics of an epic hero
1. The hero is introduced in the midst of turmoil, at a point well into the story; antecedent action will be recounted in flashbacks.
2. The hero is not only a warrior and a leader, but also a polished speaker who can address councils of chieftains or elders with eloquence and confidence.
3. The hero, often a demi-god, possesses distinctive weapons of great size and power, often heirlooms or presents from the gods.
4. The hero must undertake a long, perilous journey, often involving a descent into the Underworld (Greek, "Neukeia"), which tests his endurance, courage, and cunning.
5. Although his fellows may be great warriors (like Achilles and Beowulf, he may have a commitatus, or group of noble followers with whom he grew up), he undertakes a task that no one else dare attempt.
6. Whatever virtues his race most prizes, these the epic hero as a cultural exemplar possesses in abundance. His key quality is often emphasized by his stock epithet: "ResourcefulOdysseus," "swift-footed Achilles," "piousAEneas."
7. The concept of arete (Greek for "bringing virtue to perfection") is crucial to understanding the epic protagonist.
8. The hero establishes his aristeia (nobility) through single combat in superari a superiore, honour coming from being vanquished by a superior foe. That is, a hero gains little honour by slaying a lesser mortal, but only by challenging heroes like himself or adversaries of superhuman power.
9. The two great epic adversaries, the hero and his antagonist, meet at the climax, which must be delayed as long as possible to sustain maximum interest. One such device for delaying this confrontation is the nephelistic rescue (utilized by Homer to rescue Paris from almost certain death and defeat at the hands of Menelaus in the Iliad).
10. The hero's epic adversary is often a "god-despiser," one who has more respect for his own mental and physical abilities than for the power of the gods. The adversary might also be a good man sponsored by lesser deities, or one whom the gods desert at a crucial moment.
11. The hero may encounter a numinous phenomenon (a place or person having a divine or supernatural force) such as a haunted wood or enchanting sorceress that he most use strength, cunning, and divine assistance to overcome.
The specific personal attributes or characteristics of the epic hero, such as courage, strength, or intelligence, are not considered archetypes. Archetypes are recurring symbols, themes, or motifs found in various forms of literature or storytelling.
A hero today based on the characteristics of an epic hero could be someone who demonstrates courage, leadership, determination, and selflessness in the face of great adversity. This could be a frontline healthcare worker battling a pandemic, a social justice activist fighting for equality, or a humanitarian aid worker helping those in need around the world.
Aeneas was Virgil's epic hero.
No characteristics of the traditional epic hero might be difficult for readers of today to accept and assimilate, except their unreasonable religious fervour and neglect of women. And there is one other thing, their accepting slavery and bondage as a thing not to be revolted against.
An epic hero is a literary character; a superhero is a comic-book character.
Beowulf is an epic hero with a nine-letter name.
Odysseus is brave, daring, cunning, strong, confident and charismatic. He possesses all of the qualities of a true epic hero.
He isn't. He is the epic socialist.
The four qualities of an epic are a vast setting, a hero of national or cosmic importance, supernatural elements, and elevated language. These characteristics help to distinguish epics from other forms of literature and emphasize the grandeur of the epic narrative.
There are epic heroes in epic poems such as the Odyssey
No.
Probably a reference to Ulysses, the hero of Homer's epic poems, the Iliad and the Odyssey.