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Loudness war
The loudness war, also referred to as the loudness race, is a publicized criticism of the recording industry's practice of digitally mastering albums with progressively increasing levels of loudness and reduced dynamic range.
The phenomenon developed as the result of the widespread adoption of the compact disc digital music format. The recording process of early CD releases differed from prior analog methods that had no set ratio of minimum to maximum level of perceived loudness. Dynamic range was dictated by the playback limitations of analog equipment, including vinyl record and cassette players. With the advent of CDs, music was encoded to a digital format with a clearly defined 16 bit dynamic range, equal roughly to 96 dB. Since most musical performances have a smaller dynamic range than that afforded by CDs, their recordings rarely approached the maximum possible levels. The loudest parts of a musical performance, the peak levels, serve to contrast with quieter passages which determine the initial volume setting chosen by the listener. With time, members of the music industry sought to promote their recordings by amplifying the average volume of a performance to fit a greater portion of the overall dynamic range of CDs. This method set recordings apart by offering listeners a subjectively "louder" listening experience.[1]
However, once the maximum amplitude of a CD is reached, the perception of loudness can be increased only by a combination of dynamic range compression and make-up gain[citation needed]. This is achieved by applying an increasingly high ratio of compression to the dynamic range of the recording and then increasing the gain of the recording until the peaks have reached maximum. Extreme uses of dynamic range compression can introduce audible distortion or clipping to the waveform of the recording. Modern albums that utilize dynamic range compression therefore sacrifice the quality of musical reproduction in favor of the illusion of loudness. The competitive escalation of volume has led music fans and members of the musical press to refer to the affected albums as victims of a "loudness war".
43 dB is not so loud, when you don't want to sleep.
Yes very loud
Electronic records
Redundancy means duplicacy of data or repetitive data. In distributed database case the data is stored in different systems . So the answers is yes there can be redundancy of records / data.In distributed database , data is stored in different systems. Since the data is distributed there is redundancy of records.
There are different ways through which you can use computing in office management. You can store records, analyze data, process information and so much more.
Loud Records ended in 2002.
Loud Records was created in 1992.
F**king loud, heard one today!!
It isa micorphone that records your voice and it tells you if your loud and quiet :)
It isa micorphone that records your voice and it tells you if your loud and quiet :)
Well ipod touches play music with and without headphones, so does the new ipod nano that records videos, all of them are loud, take a pick
It is so loud, sometimes it can break the membrain in your ear and make them bleed.
it just loud
No one buys records! what are you, 80 years old! :P
Some trucks are so loud because of poor synchronization.
Motorcycles are loud due to an Open engine. Loud and motorcycles go together.
You cannot tell. It is not so loud in the distance.