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In the visual arts, abstraction is employed to varying degrees. But, in all cases, the characteristics of abstraction are largely determined by choices the artist makes as to what is visually important to a work. In the early 20th century, Picasso called upon his interest in so-called primitive art to guide the construction of form within his cubist works. His abstraction is evident in the heavy use of line, the simultaneous presentation of multiple perspectives, and reduction of form to symbol. In this way, he moved beyond a realistic portrayal of form and presents the viewer with an abstraction that is born out of intellectual reinterpretation. Rather than resulting in an illustration, Picasso's work is distinguished from it's subject matter by a deliberate process of altering or reinterpreting reality to allow for the expression of larger emotional or psychological significance. This process of reinterpretation continued in painting throughout the 20th century, ultimately resulting in works of "pure abstraction", where the elements presented have no external precedent. Pure abstraction does not seek to replicate any preexisting forms, but rather establish new forms and relationships born entirely out of the inspiration of the artist.

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12y ago

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