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☆☆☆☆☆An advantage is something which assists one person over another in a given situation.
Prospero uses Ariel for his magical abilities, which are a part of the island's resources
Prospero arrives on the island and kills Sycorax, a witch who opposes him.
Caliban was a monstrous character.
Prospero was powerful and in control.
prospero was powerful and in control apex
He is knowledgeable about his island and wants to share his knowledge.
He speaks poetically when describing his island.
It gives a different perspective on the original work's main ideas.
It gives clues as to what is most important about the work.
Prospero forces Caliban to do physical labor, while he has Ariel perform magic for him ~Apex
Prospero teaches his language to Caliban and then uses it to communicate with him.
Colonized people experience a loss of their culture, including their traditions, stories, and beliefs.
set design
Sound
Lighting
He gets Stephano and Trinculo to agree to his plan to kill Prospero
One comic book artist depicts Dracula as old and batlike, while another comic book artist depicts him as young and handsome.
One short-story writer depicts Merlin as a common magician, while another writer depicts Merlin as a powerful wizard.
Colonizers learn the native people's languages and practice native traditions.
The Balinese production has a magical and mystical tone, while the tone of the Utah Valley University production is more menacing.
The Balinese production used a shadow screen as a stage, while the Utah Valley University production used a traditional stage and actors.
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He views the island's natives as monsters, not humans.
Caliban and Ariel, because they hate each other even though they are both slaves.
Forcing the natives to change their language, which results in them losing connection to their traditions and beliefs.
He forces the island's native to teach him their language so he communicate with them and become their leader.
A television show starts a new season
A director’s technique for directing plays is always evolving.
