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Tim O'Brien's chapter "Good Form" exemplifies postmodernism through its blending of fact and fiction, questioning the nature of truth in storytelling. O'Brien emphasizes the subjective experience of war, challenging traditional narratives by highlighting the emotional resonance of a story over its factual accuracy. The chapter's self-reflexivity, as O'Brien discusses the act of writing and the complexities of memory, further illustrates the postmodern theme of fragmented realities and the instability of meaning. This approach invites readers to reconsider how stories shape our understanding of experiences, particularly in the context of trauma.

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