Steve
Giotto contributed to the Renaissance's use of atmospheric perspective as he showed he showed it first in his artworks. Gentile da Fabriano's Adoration of the Magi (1422) would be the first one in the period but Masaccio's Tribute Money (1426) is the first one which showed the accurate use of atmospheric perspective.
No, the Ancient Romans did not use a strict system of linear perspective as understood in contemporary art. While they employed techniques such as atmospheric perspective and foreshortening to create depth in their artworks, the mathematical principles of linear perspective were not developed until the Renaissance. Roman art focused more on realism and spatial representation through other means rather than adhering to a formalized perspective system.
The artist depicted figures within settings that demonstrate the use of atmospheric perspective.
Aerial perspective is a method in painting of suggesting the effects that distance have on color due to the way light is changed as it passes through air. Colors are lowered in chroma (made less colorful), usually raised in value (made lighter) and shifted toward blue (because of the atmosphere's tendency to scatter blue wavelengths of light more than others, the same effect that makes the sky blue). Also, distant objects tend to appear less distinct and detailed than foreground objects. Atmospheric perspective is exaggerated by high humidity, mist or fog. Its effects are diminished by crisp, clear air, such as that found in the mountains, leading some artists to artificially exaggerate the effect in mountain scenes so they look more "realistic", even if they are less true to what was actually observed.
The Wrapped Coast was a temporary artwork created by Christo & Jeanne-Claude to change the perspective of people's views on a land.
aerial perspective
Linear perspective is created by making closer objects appear larger than farther objects, proportionate to the distance between lines that recede towards a vanishing point on the horizon. Atmospheric perspective shows objects that are closer to the foreground with more detail than objects that are farther away. Realistic artworks normally use both.
Giotto contributed to the Renaissance's use of atmospheric perspective as he showed he showed it first in his artworks. Gentile da Fabriano's Adoration of the Magi (1422) would be the first one in the period but Masaccio's Tribute Money (1426) is the first one which showed the accurate use of atmospheric perspective.
Linear perspective is about the size and proportions of objects represented in a piece. Atmospheric perspective is about the clarity and detail of these objects. Most art that tries to replicate 3-dimensional scenes in 2-dimensions uses both.
Many paintings offer an illustration of both atmospheric and linear perspective, I would recommend Looking at Claude Lorrain's 1648 oil painting "Embarkation of the Queen of Sheba". Linear perspective can be seen by the straight lines which angle in towards the sun on the horizon. Atmospheric perspective can be seen by the way the closest building is detailed and the farther buildings have less detail.
Atmospheric
Journal of the Atmospheric Sciences was created in 1944.
Perspective Records was created in 1991.
The New Perspective was created in 1874.
The National Perspective was created in 2008.
Kokomo Perspective was created in 1989.
The term atmospheric perspective was coined by Leonardo da Vinci to describe the visual effect where objects appear to change in color and detail as they recede into the distance due to the presence of air particles.