G double sharp is a very clumsy way of saying (enharmonically) "A natural".
The half steps in an E major scale are from Gis / G-sharp (enharmonically, As / A-flat) to A, and from Dis / D-sharp (enharmonically, Es / E-flat) to E.
The easiest way to modulate from G to F major is by modulating down to C major on the way. In that way you are moving down the circle of fourths/fifths.
G flat minor or F sharp minor. F♯, C♯, G♯, D♯, and A♯ minor all have a G♯ in their key signature.
The subdominant note in a key is the 4th. In G minor, it's C.
I think it is pretty logical>
The way you would modulate from D major to Bb major would be passing through a D minor chord then modulating to G minor to get to Bb major.
G double sharp is a very clumsy way of saying (enharmonically) "A natural".
The half steps in an E major scale are from Gis / G-sharp (enharmonically, As / A-flat) to A, and from Dis / D-sharp (enharmonically, Es / E-flat) to E.
e major
You would be either in the key of F or D minor. Impossible to say which one without knowing the chord progression or the melody; does the Dm or the F feel more like "home"? You could modulate to any key you like, but you're be more likely to modulate to a "close" key. Since F or D minor have one flat, the close keys would be those with two flats (Bb or G minor) or no flats (C or A minor). Most likely, you'd go to the dominant key, which would be C or A minor (depending on whether your tonic key was F or D minor).
The easiest way to modulate from G to F major is by modulating down to C major on the way. In that way you are moving down the circle of fourths/fifths.
A C D Eb E G A The notes might tecnecally be different, but this works enharmonically.
The easiest way to modulate from G to F major is by modulating down to C major on the way. In that way you are moving down the circle of fourths/fifths.
The answer to this question is not always simple, however if you want a definite answer, look at the tips below: If you wanted to end on a perfect cadence, you should modulate to a G major chord and then move down to the tonic chord (C major). If you wanted to end on a plagal cadence, you would modulate up a fourth to a F major chord and then resolve on a C major chord. If you wanted to end on am imperfect cadence you simply modulate to the dominant chord (in this case G major) and end there. Finally, if you wanted to end on an interrupted cadence you modulate from the tonic chord (C major) to the relative minor, an A minor chord. So in most cases a song which began in C major should end in the tonic key (C major), however a song in C major can end in G major (an imperfect cadence) or in A minor (an interrupted cadence). Hope this helps.
Yes, F sharp and G flat are enharmonically equivalent notes, meaning they sound the same pitch but are written differently depending on the context of the music.
"G" Minor is an open "G" chord-THe same as the "A" Minor chord.