In the key of C, "Sol" (you referred to it as "so"), is G.
There are 7 white notes, and 5 black notes on the piano, so all together you have 12 different notes, and therefore, 12 different sounding major scales.If we include the three enharmonic ones - that makes fifteen key signatures and, therefore, fifteen major scales in total.They are, from the flattest key (the one with the most amount of flats) to the sharpest key, in order: Cb, Gb, Db, Ab, Eb, Bb, F, C, G, D, A, E, B, F# and C#. These are all the "real keys".Now, if you want to get theory crazy - you can look at the "imaginary scales" as well - which are scales you can figure out theoretically, but you wouldn't use them for practical reasons. This would include keys like D# Major (9 sharps) and Gbb Major (13 flats), in which case there would be an additional 20 major scales (one for every note and its enharmonic equivalent) as well, making a total of 35 scales (for the 15 real key signatures and the 20 imaginary keys).
The subdominant is the 4th note in a scale, so in A major it's D.
There are thousands of different scales worldwide, so really no one knows, but when talking of major scales, there are twelve (three of which go be two names).The major scales are (in chromatic order):C major, C♯/Db major, D major, Eb major, E major, F major, F♯/Gb major, G major, Ab major, A major, Bb major, and finally B/Cb major.The scales which are italicised are the 'enharmonic equivelent' scales, meaning that they are one scale going by two different names. C♯ and Db are the same key on the piano, so are F♯/Gb and B/Cb.
No. The mode of A Dorian uses the same key signature as G major, so the only sharp note is F.
Neither of them are absolute scales so that 2 degrees is not twice as warm (hot) as 1 degree. 10 degrees is not ten times as hot as 1 deg.
Ti is the seventh note in a major scale (do re mi fa so la TI do). In the key of C, the Ti note would be B.
In they key of C Major, sol would be the note G. Do (C) Re (D) Mi (E) Fa (F) Sol (G) La (A) Ti (B) Do (C).
To play cello scales effectively, the finger positions generally follow a pattern where each finger corresponds to a specific note on the scale. The first finger is typically placed on the first note of the scale, the second finger on the second note, and so on. This pattern helps maintain proper intonation and fluidity while playing scales on the cello.
Practice. You can sing scales over and over but that does not help everyone; so just practice singing a song you like (depending...MAriah CArey and Whitney Houston...OFF LIMITS) and record yourself.
Johann Sebastian Bach 'discovered' the chromatic scale, and composed the Circle of Fifths. The Circle of Fifths starts with the key of C, which has no accidentals (flats or sharps). The fifth note of C is G, when means when you play or write these scales, you move from the key of C to the key of G - moving up a perfect fifth; hence, the term 'circle of fifths'. The key of G major has one accidental, the F sharp. The fifth note of the key of G is D, and the key of D major has TWO sharps - so you see, as you move through the circle of fifths each change increases the number of accidentals by one. For instance, the fifth note of D is A, and the key of A major has THREE accidentals. That is pretty much why the key of G major has an accidental, which in the case of that scale, happens to be F sharp.
A tonic is the root note of a musical piece. This note is what names the key that the song is in. So, if a minuet is written in the key of G, it's tonic note is G and its tonic chord is G major.
There are 7 white notes, and 5 black notes on the piano, so all together you have 12 different notes, and therefore, 12 different sounding major scales.If we include the three enharmonic ones - that makes fifteen key signatures and, therefore, fifteen major scales in total.They are, from the flattest key (the one with the most amount of flats) to the sharpest key, in order: Cb, Gb, Db, Ab, Eb, Bb, F, C, G, D, A, E, B, F# and C#. These are all the "real keys".Now, if you want to get theory crazy - you can look at the "imaginary scales" as well - which are scales you can figure out theoretically, but you wouldn't use them for practical reasons. This would include keys like D# Major (9 sharps) and Gbb Major (13 flats), in which case there would be an additional 20 major scales (one for every note and its enharmonic equivalent) as well, making a total of 35 scales (for the 15 real key signatures and the 20 imaginary keys).
Sorry to say but most people are born with a great singing ability. But if you want a LEGIT better voice probably do some voice exercises. (like scales). Or, if you are singing a song, find a song that u r good at singing. Im not that good at signing myself so I find songs that u am good at singing along or even alone in the shower... Anyway... Answer: vocal exercises, find a song u r good at singing.
When somebody "sings off key" it means they are singing out of the designated key signature. Take the key of C for example. This key has no sharps or flats(on the piano this means only using the white keys). So if someone is signing off key in the key of C they'll sound bad because the notes being sung aren't harmonious. Your ear is trained and accustomed to music that's played or sung in the same key. Even those who don't know much about Music Theory can detect a variance from the key signature. Just as someone who doesn't know much about makes and models of cars can tell you which one is newer. Hopefully this answers your question. On a side note, if you were being accused of singing off key, tell them you were going for the dissonant harmony. That should shut 'em up. lol
No, squirrels are mammals, so they have fur, not scales.
When doing scales, the note between "so" and "ti" is "la." The full octave is do, re, mi, fa, so, la, ti, do. It was immortalized in song in "The Sound of Music."
The subdominant is the 4th note in a scale, so in A major it's D.