A number of the "goofs" were liberties taken by the writers for various reasons. Just to name some of the most obvious:
> Tex Beneke, Ray Eberle, Marion Hutton, and the Modernaires were never mentioned.
> Little Brown Jug was the band's first major jazz hit, not the last.
> PE6-5000 was (and still is) the phone number of the Hotel Pennsylvania in New York where his orchestra was the house band, not the number of a place he stayed on the road.
> Helen Miller wasn't able to have children due to an illness, not an auto accident.
> The Army Air Force Orchestra is never shown with its string section.
> Singer Fran Warren is shown wearing a Chanel dress from the late 1940s, long after Miller's disappearance.
> When Fran Warren helps Jimmy Stewart onto the stage set up in an airplane hangar she can be heard to say "Thanks, Jimmy" instead of "Glenn".
He didn't actually play it.
Henry Mancini wrote the movie's theme song, "Too Little Time".
That story is entirely made-up. The 1954 biopic The Glenn Miller Story included a fictional sub-plot about Helen liking the tune Little Brown Jug while Miller supposedly disliked it. The movie ended with him having relented just before his death in 1944, and making an arrangement of the song for her. In reality he liked the song a lot and it was one of the band's first big sellers in 1939.
Ray Anthony's tenure with Glenn Miller was short and not very sweet. He was about 17 when he joined the trumpet section, and despite a good audition that won him the position his actual performances were very shaky. He left the band after a short period of time. As he matured and became a better musician, Ray Anthony traded heavily on his brief association with Glenn Miller, not to mention his strong resemblance to movie heart-throb Cary Grant. He released a number of Miller-styled albums during the period from the late 1940s to the early 1960s, and continued to lead an orchestra performing Miller-like swing into the 1980s and 90s.
Jimmy Stewart portrayed Glenn Miller, and June Allyson played his wife Helen Burger. Other stars were: Harry Morgan - pianist Chummy MacGregor Charles Drake - assistant Don Haynes George Tobias - impresario Si Schribman
He didn't actually play it.
Henry Mancini wrote the movie's theme song, "Too Little Time".
That story is entirely made-up. The 1954 biopic The Glenn Miller Story included a fictional sub-plot about Helen liking the tune Little Brown Jug while Miller supposedly disliked it. The movie ended with him having relented just before his death in 1944, and making an arrangement of the song for her. In reality he liked the song a lot and it was one of the band's first big sellers in 1939.
You !
Goofs or Bloopers.
The Glenn Miller Orchestra has: Played Gene Morrison Orchestra in "Orchestra Wives" in 1942. Played Themselves in "Upbeat in Music" in 1943. Played Themselves in "Tex Beneke and the Glenn Miller Orchestra" in 1947. Played Themselves in "Tex Beneke and the Glenn Miller Band" in 1947. Played Themselves in "Toast of the Town" in 1948. Played Themselves in "The Big Record" in 1957. Played Themselves in "The Jackie Gleason Show" in 1966. Played Themselves in "Happy Days" in 1970.
Glenn Miller was a trombonist and conductor, not a singer. His only 2 recorded "vocals" are a slightly R-rated line in the Tommy Dorsey novelty tune "Annie's Cousin Fanny" and a sing-speak line in the movie soundtrack version of "It Happened in Sun Valley".
Deborah Sydes has: Played Joanee Dee Miller in "The Glenn Miller Story" in 1954. Played Patty McConnell - age 3 in "The McConnell Story" in 1955. Played Kim - Age 4 in "The Girl Rush" in 1955. Played Susan, Little Girl in "Date with the Angels" in 1957. Played Little Girl in "Five Fingers" in 1959.
Goofs
omg i have been looking for this to.please someone answer us In the Mood- Glenn Miller,
Ray Anthony's tenure with Glenn Miller was short and not very sweet. He was about 17 when he joined the trumpet section, and despite a good audition that won him the position his actual performances were very shaky. He left the band after a short period of time. As he matured and became a better musician, Ray Anthony traded heavily on his brief association with Glenn Miller, not to mention his strong resemblance to movie heart-throb Cary Grant. He released a number of Miller-styled albums during the period from the late 1940s to the early 1960s, and continued to lead an orchestra performing Miller-like swing into the 1980s and 90s.
1957, with Glenn Ford and Van Heflin, adapted from an Elmore Leonard story.