Good acoustics involves careful design of the auditorium, with attention to proper sound reflection and absorbing characteristics at various points in the hall. In a hall with good acoustics, a properly trained person without a microphone can make himself heard and understood throughout the hall.
Because getting good acoustics is as much an art as a science in architectural design, sometimes getting good acoustics is more a matter of luck, especially in the older halls.
To off-set poor acoustics, or failure to attempt any sort of acoustical design in newer halls, heavy use of amplification and microphones is used. Sometimes it helps, but it is not usually a complete substitute for a hall with good acoustics.
Architects are the primary designers of concert halls. They lead a team of experts who advise on the unique design challenges associated with concert halls, including but not limited to structure, rigging, safety, comfort, and acoustics. The functional requirements of a concert hall are not isolated design problems and therefore need to be fully integrated into the design process. For instance, decisions about room geometry and materials heavily influence both structure and acoustics. Cooperation of specialties, including involvement of clients and resident orchestras, is of critical importance. Very few people have careers strictly centered on the design of concert halls. Architects work on a wide variety of project types and most never work on a single hall, though there are a few who are known as designers for performing arts spaces. Consultants in acoustics and theater often work on many concert hall projects, but the scope of their design contribution is limited to their specialty. People interested in careers involving concert hall design can approach from many directions, including architecture, engineering, physics, music, and audio. Graduate degrees that focus on architectural acoustics are increasingly common, but at this time are still the exception.
concert halls, stadiums, school halls, bandshell, bandstand and clubs, party's, evets- occoasions.
In concert halls the walls are made out of acoustic materials. The materials, as well as the amplifier may result in multiple echoes in a concert hall.
It can be. Jazz is often performed in concert halls with orchestral-quality scores, although it can also be performed in dives.
I like Covent Garden. But it's hard to determine a single greatest opera house when there are so many factors - ambiance, acoustics, aesthetics, etc. I'd have to point to perhaps the Teatro ala Scala in Milano, the Met Opera in New York City, or the Vienna State Opera House as contenders for the best. However, if you'd like to view a bunch of amazing opera houses (and concert halls), Apparently, there is an iPad application called WorldVenues. The app plots opera houses on maps but also showcases videos from inside each venue, so you can get a sense of what it's like inside. There's also more information in each profile to explain why it's "one of the best."
Architects are the primary designers of concert halls. They lead a team of experts who advise on the unique design challenges associated with concert halls, including but not limited to structure, rigging, safety, comfort, and acoustics. The functional requirements of a concert hall are not isolated design problems and therefore need to be fully integrated into the design process. For instance, decisions about room geometry and materials heavily influence both structure and acoustics. Cooperation of specialties, including involvement of clients and resident orchestras, is of critical importance. Very few people have careers strictly centered on the design of concert halls. Architects work on a wide variety of project types and most never work on a single hall, though there are a few who are known as designers for performing arts spaces. Consultants in acoustics and theater often work on many concert hall projects, but the scope of their design contribution is limited to their specialty. People interested in careers involving concert hall design can approach from many directions, including architecture, engineering, physics, music, and audio. Graduate degrees that focus on architectural acoustics are increasingly common, but at this time are still the exception.
so you can here the vibrancy of every instrument from anywhere.
Some of the best concert halls for acoustics include: Vienna Musikverein, Amsterdam Concert Gebow, Boston Symphony Hall, Vienna State Opera, New York Metropolitan Opera, Sydney Opera House, Vienna Konzerthaus, New York Carnegie Hall, Budapest Hungarian State Opera House, and Los Angeles Walt Disney Concert Hall. The Colon Theatre or Teatro Colón in Buenos Aires, Argentina, is one of the best opera houses for acoustics.
At concert halls NOT at church
Reverberation in concert halls is caused by diffraction.
Good Acoustics was created on 1996-10-08.
I dont know what halls you are talking about but the factors that you list all have one thing in common and that would be sound reduction.
publlic concert halls
From the vibration the bass gives off.
In bass concert halls, the sound is amplified by the size of the open empty room. The sound reverberates off the walls to make it sound louder and deeper than it really is.
concert halls, stadiums, school halls, bandshell, bandstand and clubs, party's, evets- occoasions.
In concert halls the walls are made out of acoustic materials. The materials, as well as the amplifier may result in multiple echoes in a concert hall.