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How can you be like viola Hastings from she's the man?
I was wondering something very similar, but i can try to help you out :) ~ If you want to act like Viola Hastings: She is ungraceful Likes to eat Gets in many fights and tussles Very sporty and crazy about soccer Brave and not afraid to get in trouble Smart Clever Very funny Hope this helped! :DD
In twelfth njght what brings viola to illyria?
she is so desperate to help win Duke orsino's love that that she would even give up her life o help him. (Act 5- Scene 1) And I ,most most jocund, apt, and willingly, To do you rest, a thousand deaths would die
What are facts about viola?
The viola came from the same roots as the violin: both developed out of the "viola da braccio", a 'viola played on the arm', as differentiated from the "viola da gamba", which was played while it rested on the player's calves or thighs. The term viola may help to inform its early history: it may have developed from the Spanish Vihuela da Mano (a 'viola' played with the hands). The viola and violin appeared at about the same time, in the relatively modern form with F sound holes instead of C holes, and a scroll adorning the pegbox, and with the extended points at the ends of the cutout on either side. The clearest iconographic evidence comes from about 1535, from the 1534-5 frescoes in the dome of the Sanctuary of Soranno. The first use of violins, and undoubtedly violas, was travelling musicians, as it could be played standing (unlike the violas da gamba). According to Praetorius (Syntagma Musicum, 1620), the viola was played 'in consort' with violins and gambas or cellos, violones (bass gambas) or the bass of the violin family. The term "Consort" infers a family of instruments in different pitches, generally named for the ranges of the human voice, cantus (or discantus), altus, tenor and bass. In this sense, the viola has nearly always commanded the position of both alto and tenor. In the first orchestras (arguably the 24 Violins of the King, in France) the viola was not even named as such: instrumentation was 6 violins, 12 violas, and 6 basses. The violas were split into 3 groups of four, named haute-contra, taille, and quinte (literally against-high [probably best thought of as along-with than 'against'), tenor and "the fifth part", in the traditional manner of naming the first four voices for voice ranges, then just numbering the rest of the parts.) Along with the violin, the viola transitioned from its Baroque form to the modern form it usually takes by a change in the angle of the neck, use of metal and synthetics in the strings (rather than gut and some metal windings), enabling higher tension and more 'projection'. Most Amati, Stradivarius and other 18th-century violins and violas have been modified in this manner, shedding honor on their creators by taking the change without complaint! The viola was treated as an equal to the violin through much of its first century, with composers such as Telemann, Vivaldi and Bach writing solo sonatas and concertos which rivaled their smaller sister. With the onset of the early Classical, the viola fell into more of a role of doubling the 'cellos when they were introduced to the orchestra. With the onset of the Classical era, violas gained some independence of voice. With notable exceptions such as Paganini, the viola was considered an afterthought by composers with bassoons, trombones and other middle-range instruments to command. But in the 20th century, solo viola music began to be composed in volume once again. About the only other part of the viola's history to mention is experimental: during the late Renaissance and Baroque, occasional attempts were made to create a violin family instrument which would fully occupy the tenor position in the family. Because a viola, to have its lowest string speak with the same tone and presence as its other strings (scaled from the violin), would require a length that would preclude tucking it under the chin while fingering the strings, these tenor violins often were played like cellos, with very long end-pins. When Carleen Hutchens designed and built the Violin Family Consort, she experimented with the viola, finding geometries which would even it's tone and 'conquer' it's reinforced tonals around Bb, only to find that the resulting instrument sounded very poorly when playing the solo works of composers like Mozart, who tended to chose the keys for solo works based on the strengths of the instrument. None the less, the Consort is worth looking at if you want to see the history of the viola to its potential end!
Who was Marie Viola Ryden?
Marie Viola Ryden was a wonderful woman who touched many peoples lifes, she had lived a full life. she was a practical jokester, she loved to laugh as well as make people laugh. She was my grandmother, she was my only grandmother i could ever got to for, and she was the only one i could ever go to for anything, help, answers, andvise. She cold always make people laugh and i love her so much it to write this , as im writing this i am also listeing to her favorite song http://www.youtube.com/watch?v=jVbkz_3lO3c that's her favorite song. i love her so much. She was a stong indepented Woman . I was there holding her hand when she passed away.
Songs with the word help?
Here are some I found in my iTunes library:"Help!" by The Beatles (from the album Help!)"With A Little Help From My Friends" by The Beatles"Helpless" by Neil Young"Help Me, Rhonda" by The Beach Boys"Help Me" by Chris Brown"Help Myself" by Dave Matthews Band"Help Help" by Pearl Jam"Help Me Hold On" by Travis TrittHope any of those help!
What is the plot summary of Twelfth Night?
Twelfth Night is a comedy by William Shakespeare that follows the story of Viola, who disguises herself as a man named Cesario after being shipwrecked. Viola falls in love with Duke Orsino, who is in love with Olivia. Olivia, in turn, falls in love with Viola as Cesario. The play explores themes of mistaken identity, love, and gender roles, culminating in a series of comedic misunderstandings and eventual resolutions.
What is the plot of the Twelfth Night?
In the kingdom of Illyria, a nobleman named Orsino lies around listening to music, pining away for the love of Lady Olivia. He cannot have her because she is in mourning for her dead brother and refuses to entertain any proposals of marriage. Meanwhile, off the coast, a storm has caused a terrible shipwreck. A young, aristocratic-born woman named Viola is swept onto the Illyrian shore. Finding herself alone in a strange land, she assumes that her twin brother, Sebastian, has been drowned in the wreck, and tries to figure out what sort of work she can do. A friendly sea captain tells her about Orsino's courtship of Olivia, and Viola says that she wishes she could go to work in Olivia's home. But since Lady Olivia refuses to talk with any strangers, Viola decides that she cannot look for work with her. Instead, she decides to disguise herself as a man, taking on the name of Cesario, and goes to work in the household of Duke Orsino. Viola (disguised as Cesario) quickly becomes a favorite of Orsino, who makes Cesario his page. Viola finds herself falling in love with Orsino-a difficult love to pursue, as Orsino believes her to be a man. But when Orsino sends Cesario to deliver Orsino's love messages to the disdainful Olivia, Olivia herself falls for the beautiful young Cesario, believing her to be a man. The love triangle is complete: Viola loves Orsino, Orsino loves Olivia, and Olivia loves Cesario-and everyone is miserable. Meanwhile, we meet the other members of Olivia's household: her rowdy drunkard of an uncle, Sir Toby; his foolish friend, Sir Andrew Aguecheek, who is trying in his hopeless way to court Olivia; Olivia's witty and pretty waiting-gentlewoman, Maria; Feste, the clever clown of the house; and Malvolio, the dour, prudish steward of Olivia's household. When Sir Toby and the others take offense at Malvolio's constant efforts to spoil their fun, Maria engineers a practical joke to make Malvolio think that Olivia is in love with him. She forges a letter, supposedly from Olivia, addressed to her beloved (whose name is signified by the letters M.O.A.I.), telling him that if he wants to earn her favor, he should dress in yellow stockings and crossed garters, act haughtily, smile constantly, and refuse to explain himself to anyone. Malvolio finds the letter, assumes that it is addressed to him, and, filled with dreams of marrying Olivia and becoming noble himself, happily follows its commands. He behaves so strangely that Olivia comes to think that he is mad. Meanwhile, Sebastian, who is still alive after all but believes his sister Viola to be dead, arrives in Illyria along with his friend and protector, Antonio. Antonio has cared for Sebastian since the shipwreck and is passionately (and perhaps sexually) attached to the young man-so much so that he follows him to Orsino's domain, in spite of the fact that he and Orsino are old enemies. Sir Andrew, observing Olivia's attraction to Cesario (still Viola in disguise), challenges Cesario to a duel. Sir Toby, who sees the prospective duel as entertaining fun, eggs Sir Andrew on. However, when Sebastian-who looks just like the disguised Viola-appears on the scene, Sir Andrew and Sir Toby end up coming to blows with Sebastian, thinking that he is Cesario. Olivia enters amid the confusion. Encountering Sebastian and thinking that he is Cesario, she asks him to marry her. He is baffled, since he has never seen her before. He sees, however, that she is wealthy and beautiful, and he is therefore more than willing to go along with her. Meanwhile, Antonio has been arrested by Orsino's officers and now begs Cesario for help, mistaking him for Sebastian. Viola denies knowing Antonio, and Antonio is dragged off, crying out that Sebastian has betrayed him. Suddenly, Viola has newfound hope that her brother may be alive. Malvolio's supposed madness has allowed the gleeful Maria, Toby, and the rest to lock Malvolio into a small, dark room for his treatment, and they torment him at will. Feste dresses up as "Sir Topas," a priest, and pretends to examine Malvolio, declaring him definitely insane in spite of his protests. However, Sir Toby begins to think better of the joke, and they allow Malvolio to send a letter to Olivia, in which he asks to be released. Eventually, Viola (still disguised as Cesario) and Orsino make their way to Olivia's house, where Olivia welcomes Cesario as her new husband, thinking him to be Sebastian, whom she has just married. Orsino is furious, but then Sebastian himself appears on the scene, and all is revealed. The siblings are joyfully reunited, and Orsino realizes that he loves Viola, now that he knows she is a woman, and asks her to marry him. We discover that Sir Toby and Maria have also been married privately. Finally, someone remembers Malvolio and lets him out of the dark room. The trick is revealed in full, and the embittered Malvolio storms off, leaving the happy couples to their celebration.
How does Antonio reveal characters in twelfth night?
Antonio, although a minor character, does assist in resolving certain scenes and in bringing out the characters of Sebastian and Viola. From his interaction with Sebastian we find that Antonio is taking a big risk in showing up in Illyria where he is a wanted criminal. Sebastian does not seem to appreciate the sacrifice Antonio is making for him--he comes off as a bit selfish. Possibly Antonio's feelings for Sebastian are more than "just friends" but it is clear that Sebastian's bread is not buttered that way. This prepares us, perhaps, for Sebastian's ready willingness to marry the beautiful Olivia after knowing her for about two minutes. He is a red-blooded heterosexual man and she is a beautiful woman, and apparently rich into the bargain. Antonio's arrival puts a nice close to the non-duel between Viola and Sir Andrew. His demands for help from her, believing her to be Sebastian, clearly distress her. She would like to help him, but does not have the means.
Where was roger best viola player born?
Please help me find this out
What did the Sui dynasty do to help ancient china?
Helped rebuild and reunite China after many years of war.
What character in Romeo and Juliet is most accepting of the young couple and even attempts to help them reunite?
fair lawrence
Need help locating a black butler chapter help Looking for the chapter of manga when Ciel makes the contact with Sebastian and you see Sebastian in the leather high heels?
The chapter in which you seek is #19.
Why did John Cabot take Sebastian?
He took Sebastian Cabot to help explore Asia which they did not find Asia because he mistook North America for Asia.And there is your true anwser of "Why did John Cabot take Sebastian?"!
Did john Cabot have any help?
Yes by his son Sebastian and a crewmate
How do frisbees help you in life?
Well first off, they're a lot of fun. And secondly, if you need a dish, viola!
How did St. Sebastian die?
Sebastian was tied to a tree, shot with arrows, and left for dead. He survived, and with the help of Saint Irene, recovered, and returned to preach to Diocletian. The emperor then had him beaten to death.
Did World War 2 help reunite the world?
No, in fact it layed the groundwork for a world divided between two different camps, the Western Democracies and the Eastern Communists.
